foreign games don't usually get talked about a whole lot certainly not in the same way that's more high profile failures on consoles and computers get mentioned there's a few reasons for that perhaps arcade games tend to be simpler and don't exactly have a high cost of Entry so a bad arcade game is likely just going to be played once and then forgotten about indeed a lot of the arcades most would perceive as bad ones are likely to be ones that have been dredged up through May more elsewhere rather than actually played on the floor that and a lot of the bigger companies have an option to just not to release a game fully if it doesn't do well on the floor if you had the luxury of being able to do location testing you could send a prototype out to an arcade and if it didn't do well the decision might be made just Binet Lin and Lair rather than start producing it in any quantity something like atari's marble man the long lost sequel to Marble Madness would be an example of this happening there are certainly a couple of arcade games that get a bit of a knock of course most would agree that Spy Hunter 2 and Double Dragon 3 for example are largely awful sequels that completely miss the mark when it comes to what made the original titles any good some other titles might not necessarily be too bad mechanically but are somewhat cringe-worthy in their presentation Revolution X isn't a particularly bad example of a rail shooter at all but the concept of saving Aerosmith from a new world order type organization is quite a hilarious one something like this would probably also apply to a lot of old LaserDisc games and then you do have whole Legions of games that simply tried to rip off whatever title was popular at the time a whole load of poorly made clones of the likes of Donkey Kong Frogger or Space Invaders that aren't awfully notable Beyond being poorly made clones for this vid I've ended up with a mix of titles that fit into these various categories as well as the odd one that goes a bit deeper some of them are pretty high profile While others are completely obscure and there's a couple that I've even got a bit of a soft spot for as opposed to the ones that are just completely hideous I've got around 10 or so and we should probably start with a title that tries to give fans of one of the late 70s and early 80s biggest bands a Sonic and visual experience like no other and it fails but it does so in a very amusing fashion hello I always love it when I get the chance to play Journey on a stream the questions just seem to fly in from all angles most of them simply been why on Earth is there an arcade game based on journey I suppose you could also ask the same question of games like Frankie Goes to Hollywood and Revolution X but something about there being a game based on Journey really ends up being a head scratcher for some people I mean what the guys who wrote Don't Stop Believing and any way you want it those guys really but in any case it exists largely it exists because Steve Perry Neil Sean and Company were all big video game fans and were well up for getting involved this arcade game isn't even the first title based on the band Sienna's Journey Escape on the Atari 2600 predates it by a year but this title is much more famous or inFAMOUS I suppose a March 1983 arcade released by Bally Midway that takes a similar form to Chuan they're highly successful arcade based on the movie and was designed by Marvin glass and Associates the old toy company who made a few games for Midway including Tapper and Timber the most notable thing about journey is of course those big old Heads This was the first game to feature digitized faces and their implementation was surely quite impressive back in the day even if they do look quite ridiculous now the technology behind these digitized faces was created by no lesser figure than Ralph Bayer yes the same man who made the original Magnavox Odyssey initially Bayer's technology was going to be used in a game that was known as clone the title would have a special camera in the cabinet that would take your headshot so that you could be in the game unfortunately the result of this was kind of predictable during testing some immature sod naturally decided to use this newfangled tick to make a dick pic clone was scrapped as a result but the tech would be used in this game with Bayer taking pictures of the band backstage at a concert funnily enough fans probably relatedly Frontiers the journey album that this game was released to help promote has artwork that's very much based on the box for the Odyssey too and said artwork also makes up a big part of the game's title screen so as mentioned this game is a lot like midway's earlier Tron although it's nowhere near as good the band must fly less Scarab spaceship to five planets in order to recover their instruments meaning that Steve Perry's got to get a mic whilst Valley needs to grab his base and so on the mini games themselves are pretty simple and come in two parts the first is usually some sort of obstacle course and isn't too hard with Valerie jumping on columns or Jonathan Kane doing a rather simple with a Donkey Kong type Affair etc etc the second part is usually a bit harder it's more of a Shoot Em Up seen as your instrument can shoot naturally and suddenly there'll be something like flashing sticks or records being chucked in your direction in any case you have to reach the line to get back to the Scarab instrument intact the most frustrating part about the game is how big the band members heads are it's quite easy to misjudge them and graze them on obstacle meaning that you get to see Steve Perry or Steve Smith falling down and having a bit of a tantrum all of these stages feature fairly simple but not awfully terrible versions of Journey songs fans will surely be able to spot the likes of Don't Stop Believing Stone In Love and Wheel in the Sky on the soundtrack foreign if you do manage to retrieve all five instruments you go to a special sixth stage the Bando in concert and you play as Herbie The Bouncer stopping Journeys squeezing fans from over one in the stage for as long as you can during this part the bands play their latest hit and let's face it greatest song separate ways worlds apart and it's the real deal this time a cassette that would actually play inside of the cabinet meaning that you'll need the appropriate sample in order to experience this in Mame and then naturally it all Loops over on a higher difficulty ah this game it is undeniably very silly even by Arcade standards and I've seen it featured on Plenty of worst arcades ever lists but I cannot say I hate it I'm partial to a bit of Journey after all and this game achieves a certain level of corniness that fits the band very well latent I've played plenty worse arcade games than this one believe me it certainly wasn't a successful game at all but bearing in mind that this came out in the spin of 1983 right at the time when the bottom was about ready to fall out of the arcade business in North America there is perhaps bigger factors in play when you consider the game's lackluster commercial performance mind you it is an arcade game based on freaking journey of all Finns and it probably wouldn't have done all that much even if it had been released a couple of years previously still I get a kick out of it [Music] while we are on the subject of arcade licensed games let's go to a much more traditional subject of such Affairs a certain Caped Crusader Batman games are usually big deals especially when it comes to the various titles that were based off of the 1989 movie nearly all of which were very successful and well remembered whether it's Ocean's computer game that helped solely Amiga 500 or sunsoft's beautifully made Ness and Mega Drive Platformers even the PC engine game is cool if also rather weird however there's one platform where the big black bat didn't make much of an impact and that's on the arcade floor hell I didn't even know that there was a Batman arcade game until a few years ago more than that it was a game made by Atari naturally I was curious fired it up in Mame and quickly discovered the likely reason why I didn't know anything about this Batman arcade game because it's pretty bloody dull the arcade Batman didn't come out until April of 1991 and it didn't have that big a release it only ever came out as a conversion kit and only 600 or so were ever made in another world an arcade game based on Batman may have been made by an entirely different company a recent time extension interview with former Konami artist masaki kokino revealed that the company did try to obtain the arcade whites for Batman but were unable to presumably because Atari had got there first this would have been during the time when Konami were rightly going nuts for licenses to arcade games with spectacularly profitable results they could have probably been trusted to do a pretty good Batman arcade with the excellent Batman Returns beat em up that they eventually released on the SNES a couple of years later maybe being a decent indicator of what a Konami arcade Batman would have looked like the Atari game by and large is a generic side scroller think of the sunsoft Mega Drive game only far more simplistic most of your time is going to be spent punching and kick in various thugs although you do get pickups in the shape of batarans gas grenades and the grappling hook and the various stages all based on the movie's major locations are woken up by a quick journey in either the Batmobile or batwin will you try to blow up the Joker's vehicles in a style that's kind of like Road blasters keeping a multiplier going for accurate shots and not missing anyone the driving parts are probably the best bits because the side scrolling it just feels dull full of time and the animation is lacking it's not utterly incompetent as far as side scrollers go but they don't exactly Dance with the Devil in the pale Moonlight yeah awkwardly shoehorned in references aside the game does have the good sense to include lots of speech samples from the movie so you can expect plenty of I'm Batman and so on but that doesn't do too much to make the game feel any more an old hat however it still surprising that the arcade game isn't better known it is a Batman title after all and this is a time when people would have happily bought jars of guano if it had a bat logo on it there seems to have been a bit of a delay it's got a 1990 copyright but again it didn't come out until April of 91.
Did Atari not have the time or budget to give it anything more than a conversion Kit's release or were they just not confident enough in the game's quality to give it any more hey ho the Atari Batman never got any kind of Home Port although I would say that the Atari Links Batman Returns one of about 20 000 separate games released for that movie is a definite successor as it does have similar cookie cutters side-scrolling gameplay [Music] thank you [Music] I'm glad you did Castlevania May well be a first ballot Hall of Famer when it comes to series of Platformers but it doesn't always hit the mark every time out there's certainly odd few games that at the very least divide people whether it's Simon's Quest or the various 3D vanias that were on the N64 and PS2 games that do certainly have their fans and monster detractors and of course there's a few obscure ports kicking around that block the copy book a bit even if they were probably done by a solitary person who had three weeks and an LSD freaks hazy Recollections of the original to go on and even with all these Finns considered the very worst game in the Castlevania series is still unquestionably konami's own haunted castle if anyone ever asks the question whether Castlevania would be a good fit for the arcade floor this game answers it with a thoroughly resounding no a game that's right down there as one of the worst Konami have ever put out certainly from their more classic periods some folks will even try to pretend that haunted castle isn't a part of the series at all I mean it's got a different name and everything it's just you know a lot like Castlevania alas that's not the case in Japan where it is called accla major Dracula mind you it didn't start out Life as a Castlevania game once again masaki kokino has revealed some details about the project over the years kokino and some others were working on an entirely unrelated Konami arcade called hot Chase when the company's boss presumably kazazuki himself ordered them to go on a Mission of Mercy and help out an original horror platformer of unknown identity that was by all accounts a complete mess the decision to switch the game to a Castlevania title was made very late on with the whole thing having its Graphics changed accordingly and being beaten into shape over the course of a single month scarcely anytime at all in other words the final result is quite the ugly Affair everything's certainly bigger because it's the arcades but the graphics lack any charm whatsoever and the conanified muscle-bound Simon Belmont is not a pretty sight you can kind of tell how rushed and botched together the whole thing is I'm afraid in mind it's rather annoying that a lot of konami's marketing including classically corny Western flies with real people as was their want tried to position the game as a remake of the original when there's nothing in common Beyond Simon Dracula and a few recognizable enemies still that's not the worst thing that would be the stupidly unfair difficulty of it all now naturally you would expect a Castlevania Game to be rock hard but the game does do some evil things in particular it only allows you up to three continues which is ludicrously cool now it's not uncommon for arcade games to stop continuing in the final level titles like Shinobi do that for example but this it limits you the whole way through free continues and only one life in each of them it's not that this is a golden age type game where continuing would be kind of pointless it's a multi-stage platformer that's got a bit more length to it but the chance of most people actually making it till the end is pretty minimal unless they're willing to Chuck coin after coining in order to get good enough to get through the six levels absolutely evil if you really want to get through the title if you're some kind of Castlevania completionist there are some things you can do to redress the balance firstly don't play the American version the North American release is way harder than the Japanese one although the Japanese one does also have limited continues even at all you can fuss around a bit with dip switches to stop every attack taking out half your bloody energy bar you can also use coins to increase your energy bar although again you can only do this a couple of times but if you would rather just play with one big energy bar then go ahead I do believe that some versions actually do allow you to give the bar a boost through each of the three credits too which again may help there are some odd fins the game does that changes the usual Vania formula Simon can actually upgrade to different weapons like a morning star and a sword and bosses are generally easy seen as you usually get the ideal sub weapon for them just before the fight I suppose this is also the first Castlevania Game to reuse famous tracks with bloody tears making a deserved second appearance generally speaking kanichi matsabawa's music is of the Vania standard and is worth checking out even if honestly nothing else about the title is even worth a slight look haunted castle stayed exclusive to the arcade until 2006 when it got to budget Japan only release on PS2 little Mall in an emulator the woman and a few extras but it can also be found in konami's arcade Classics Anniversary Collection [Music] [Music] I'm afraid that taito's now going to come in for a bit of a kick in I've mentioned this one a few times before but I can't not include nastar Warrior or rastan Saga 2 in this selection the original is such a marvelous game the best Conan title has ever been even if taito weren't able to get the actual license for it so with that in mind just what on Earth happened here how did they manage to make such a pig's ear out of the sequel It's not as if it's even that different to the original it's still the same mix of slashing and platforming but everything about this game from the graphics to how it controls is so much worse I've always found this game to be somewhat baffling ever since I originally played the mega Drive Port and found it to be shockingly terrible I seeked out the arcade original thinking that it might just have been a bad Port but no it's actually quite accurate as soon as the arcade is also a complete misery that's Star Warrior or simply nastar if you're European actually takes place before the events of the original game being the story of how the Barbarian Warrior got his name by saving the kingdom of rastania from a wicked group of demons it appears as though a fair few people who worked on the original rastan did also work on this title although that number doesn't include yoshinoi Kobayashi the Conan loving driving force behind the first game and I think that might have been important on the surface it's a bigger and better sequel where everything from the man himself to all the enemies have had a significant increase in Sprite size but when you compare this game to The Originals Graphics it's not even close this game may be bigger but the graphics has so much Plano and less detailed while the original Hadley's really defined outdoor levels with dramatic skies and enemies that really look to the part everything about nastar feels lifeless and amateurish by comparison again a crucial member is missing toshiyuki nishimura was the lead artist on the original game and responsible for just how striking rastan still looks to this day and he didn't work on this sequel the poor Graphics however are nothing compared to the botched controls our hero moves around so sluggishly is as if he can barely carry the weight of his overblown pectorals and then to top it all off the jumping comes with an inexplicable second of delay that makes any platform sequence so much harder to time and gives the impression of a game that's not even finished and again we are comparing this to an original game where the controls were title and the nuns you know what West End may have the same abilities he can switch from a sword and shield to claws or a bigger blade and he can also augment his abilities with potions and Magic but it's just not the same and the much less memorable levels that mostly consist of mindlessly Smashing blocks and stultifyingly over long boss battles don't exactly help every single thing about nastar Warrior is so much worse than the original making it the exact opposite of what a sequel should be the third game multi-screen hack and slasher Warrior blade may be somewhat derivative of golden ax but Frank Heavens that it was a return to form for the Barbarian kin that could at least partially wash the taste of this Abomination out of arcadegoers mouse foreign [Music] [Music] subject now arcade games and the UK as far as original Creations go Les not exactly a whole lot of famous ones the high majority of Studios over here was content to just create computer games there are a couple of exceptions mind you one of them being Sentry Electronics from the early 80s most Century games were cheap and cheerful fitting into the not very good clone of a better game category and were also sold at a low cost thanks to their CVS system that allowed operators to switch games in and out of a cabinet pretty easily still they are responsible for Hunchback which is one of the few arcade games from the UK to receive any recognition at all both in Europe and in the states where it was actually quite successful I have seen people here and there take lumps out of Hunchback in the past particularly Americans but personally I think it's a fun enough Pitfall type game even if it is somewhat behind the times even by 1983 standards but I'm not really here to talk about the original Hunchback instead I'm going to look at centuries 2 attempts at following it up because they're much much worse the first Hunchback sequel from early in 1984 was called hero this stands for Hunchback Esmeralda rescue operation and it's nothing like the old Activision game of the same name instead it's a maze action title where you have to pick up Trinkets and avoid obstacles from Fireballs to the more usual arrows fired from off screen basically it's a much more simplistic and way slower version of konami's tutankham and I really do mean slower I don't know what's happened to Old Quasimodo but you will forgive me for saying that he's had a few too many Vats of beef burger before taking on this adventure which is to say that he moves like a friggin escargot the original Hunchback played a lot quicker which was part of the appeal and even if this still has latam using gobbled death cry it smacks of a very hastily knocked together game that tried to capitalize on the original success but failed totally [Music] thank you [Music] and it wasn't the only one oh quasi might have been a bit embarrassed by his sluggishness in the last title so he's got himself trained up and fighting fit good thing too because he's taken part in the Olympics yes he has Hunchback Olympics and as you might expect it's a track and field clone now you might wonder just how you could further simplify a game like track and field where you just hit buttons a lot but Sentry actually do manage it here so credit for that I guess it doesn't seem too bad when you just do the 100 meters but as soon as you get to the long jump you see that the angle meter doesn't even go up normally instead moving in increments of 10.
The discus is here too but even that simplified it plays exactly like the javelin and shot put and you only need to find the correct angle it's better than the previous title if only because it's a bit of a giggle to have Quasimodo do in athletics but still not much to speak of funnily enough this one did end up getting a port to microcomputers as Hunchback at the Olympics while hero never left the arcade floor needless to say Neve of these games helped Sentry make a last in business out of Quasimodo games they failed and Sentry itself went bankrupt only a little over a year after the original Hunchback came out wrecked both by the lack of a successful follow-up and the depressed state of the arcade scene [Music] I have a few others that won't a bit of a mention but I'm gonna run through them a bit more briskly first up here's something from the golden age that most people tend to bag on San ritsu's dream Shopper from 1982 a pretty simple game that runs on namco's Pac-Man Hardware as straightforward as some of these games can be dream Shoppers seems to miss the mark for people probably because it's just so repetitive it's a game where you simply press the button to reveal tile after tile in order to achieve a Target score trying to avoid holes bombs and other near-do Wells and occasionally going for a maze that appears to be made entirely out of the letter c it's a maze game without much of a maze to speak of and it's not exactly something that's going to stick in the memory for a long time it is the classic example of a very old and not very good arcade that probably wouldn't be known at all nowadays if it hadn't been found in the annals of Mame that said it did apparently get a home Port 2 of all computers The Sword and five foreign how about a couple of fighting games won the tapes Mortal Kombat and another that goes for Street Fighter Sammy's Survivor Lut seems to be one that makes a few lists of bad arcades even more so than other Mortal Kombat clones although playing it I'm not totally sure what makes this a particularly terrible one compared to the likes of I don't know time Killers it certainly has big Sprites and a bit of production value about it although the game can be rather cheap and annoying I don't know it just felt rather boring as opposed to being especially hideous but I thought I would at least give it a mention on the much lower end of the budget Spectrum best of best is a street fighter clone that comes from the almighty Sunday the finest arcade Studio to ever come out of South Korea this is a ropey game to say the very least but it's got quite a lot of plain old wacky charm maybe that's to do with the silly characters all the special moves being called the Arts of shore killing but it is at least a pretty easy Street Fighter clone to grasp it's not good but it's certainly enough to produce a good few laughs I should also mention kaniko's Blood Warrior here too this is something of a mixture again with digitized spikes but Street fighter-centric controls and naturally a lot of blood kind of Japanese Samurai movie Style filled with rival amuse in characters based on Japanese history and mythology and doesn't actually move too badly I'd say it's one of the better kaniko arcades and certainly better than their more famous titles based on Jackie Chan I had a jolly good laugh playing this recently with the folks from One Credit reviews and that's a video that you'll surely be able to see soon over on their Channel [Music] finally and sort of sticking with kaniko let's have a little venture to the darker corner of the arcade the one that's filled with the million and one clones of kaniko's Gauss Panic you know the game that's a lot like kicks only you're slowly revealing a picture of a naked model there's tons of leaves but new Fantasia is always the one that I get the biggest kick out of I mean where else are you going to be able to have a match between yasa Arafat and Robin Williams from toys or have RoboCop go against the Terminator in the only true contest between them where else can you play as Uncle Fester or Saddam Hussein and get punished for being too cowardly with your pointer by having the picture of your model turned into freaking Pinhead naturally there's a lot of the gameplay area that I am having to cover up here but I don't know this game is so spectacularly stupid that I can't help but have a bit of a laugh whenever I think of it it is certainly better than Loverboy which is the worst arcade game that I have ever played and a game that I literally cannot show anything of beyond the title screen that is a horror that you'll have to seek out on your own although I do not recommend doing so anywho that's a selection of some rather strange weird and bad arcade games there's certainly plenty more out there and this is a subject that could easily be Revisited but there's a lot of surreal fun to be found here Beyond some of the arcades that most would agree to be pretty lousy or Double Dragon freeze and Guardians of the hood and so on but any others that you would potentially like to see looked at in the future don't hesitate to mention them but as ever it's time for me to say bye for now [Music] foreign [Music] [Music] [Music] foreign
Hi, my name is Chelsea Pfaffley, I’m a civil EIT in the Kansas City office. I first heard of Wilson and Company through a client.
When I was in college, I attended a meeting with the local ASCE professional section.
What I wanted to show you guys today is what I think is special about Kansas City.
Here I am in front of one of the beautiful buildings.
The Kauffman Center of Performing Arts.
Kansas City really prides itself.
In so many things.
We have some of really gorgeous architecture.
We also are a miniature city of fountains.
The Kansas City office roughly, has 80 employees and is currently the only office that offers all six services in house Over the last year. We’ve also welcomed 18 new employees.
Something special to the Kansas City office.
Is the Ryan Goddard Memorial Spirit Award, While working at Wilson and Company Ryan brought a lot of light and laughter to the office? He was said to be funny and infectiously optimistic After he passed.
The geospatial group created the Ryan Goddard award to continue his memory.
This plaque hangs right by the front door if you’re ever in the office.
Light upbeat, music, Welcome back to Tokyo, Cheapo, I’m Aimee and today I’m here with Victor in Ikebukuro. So today we’re gon na be visiting all the Pokemon Centers in Tokyo.
So we can provide you all the information on what’s at each Pokemon Center what there is to do so that way, you can make a decision on your next trip to Japan All right.
Let’s go! Let’s go upbeat.
Music, playful music drum thuds, light music Aimee.
There are four Pokemon Centers and one Pokemon Store in Tokyo.
There are also two centers further afield in Tokyo, Bay and Yokohama, but in this video we’ll just be covering those in Central Tokyo.
Each store has something different from exclusive merch to mascot statues to extra facilities like cafes.
We’ll cover all these points, so you know which centers are the best fit for your trip to Japan.
First up is the Pokemon Center Mega Tokyo located in Ikebukuro.
It’s a 10 minute walk from Ikebukuro Station on the second floor of the Sunshine City. Building This Pokemon Center is the largest in Tokyo, so expect a lot of people and merch Victor.
The kind of merchandises you can find at the Ikebukuro store ranges from plushies kitchenware stationary clothing, as well as the games and the systems themselves.
You could also find Pokemon cards, but please be aware they may have notices on a limit per person per visit.
Make sure to keep your eye out for special merchandise whenever you’re in the area, Merchandises change, depending on the season and any new games movies or anime that’s released.
Currently, in the fall of 2023, they’re having a special promotion where you could choose your own Pikachu.
There are many different varieties to choose from and if you come early, you could also purchase a little pass in order to get a special custom tag to go with your Pikachu itself.
Another cool thing about Ikebukuro is that in the front they have an area with a lot of statues of different Pokemon throughout many generations.
One of the cool things to take note is all of the owl type Pokemon Ikebukuro is known for owls, so you could actually see a statue of Rowlet out in the front which resembles the owl statue in Ikebukuro Station’s East Exit – Currently the mascot for This Pokemon Center is Miraidon from the recent game.
Scarlet Violet light upbeat music.
The cool thing about the Ikebukuro store is not only do they have the Pokemon Center, they also have the Pokemon Sweets. Cafe the Pokemon Go Lab and the Pokemon Card Station At the Pokemon Sweets Cafe they have several drinks and snacks to choose from, However, be aware, this is not a sit down restaurant.
The items that you purchase here you have to buy and eat outside of the store.
However, they do have an area where you can take your snacks and your drinks and take pictures and video of it.
At the Pokemon Card Station you could buy a lot of card merchandise and you could also go in and battle with other trainers as well.
At the Pokemon Go Lab, you could meet with other trainers in order to battle at gyms battle, each other and sync with people on the same team.
If you’re defending the gym, if you’re lucky, you might even see your Pokemon on the display air swooshes static, buzzes, light music, All right, so we have hopped on over to the Shibuya store now And this place opened up in 2019.
This is obviously one of the more popular Pokemon Centers because it’s based here right in Shibuya.
It’s based in the actual PARCO building on the upper floor, and the reason why it’s very popular is because right at the front, they have this really huge Mewtwo statue.
The cool thing about this Mewtwo is that it’s encased in this glass tube, so you can walk up to it and take a bunch of selfies and pictures and whatever and just have fun.
Now this store is a little bit smaller than the one in Ikebukuro, but it has all the merchandise you can find, plus a little bit more. So let’s go check it out.
Yep outside let’s go, Go upbeat, music.
The thing that’s unique about the Shibuya store, it has a very Shibuya esque, kinda style for it.
The mascot is supposed to be a skater Pikachu and it’s got like graffiti all over the place.
So many of the other mascots like Mew and Mewtwo, have little murals on the wall that have graffiti on them as well.
The one thing that really stands out about the Shibuya Pokemon Center is the fact that you can design your own shirt.
The cool thing is that you get to actually design your shirt completely.
They have many different options, so that way, you can make your shirt as unique as possible.
The main thing that I would suggest is that if you’re into the merchandise – and you want to buy as much as possible, I would recommend to go to the Mega Tokyo Store in Ikebukuro, because they have a huge selection and their store is twice as Big, However, when it comes to the actual experience of a Pokemon Center, I would actually recommend the Shibuya store because it’s a little bit more compact.
But you could also get to see more and the theme basically hits a little bit better Aside from the Pokemon Center, though another good thing is that right across is the Nintendo store. So once you’re done visiting the Pokemon Center, you could head on over and see what’s for sale there: air swooshes, playful music, light music Aimee.
Next up, we’re heading across the city to the Pokemon Center Tokyo DX, A cheapo tip for diehard fans who want to visit a few centers.
In one day, you could save some money by purchasing a Tokyo Metro, 24 hour ticket for the trains We’ll leave.
A link in the description to our One Day Passes article.
If you want more info, the Tokyo DX Center is about a five minute: walk from Nihombashi Station in the Nihombashi Takashimaya Building Victor Next on the list is the Pokemon Center Tokyo DX.
Now this one isn’t the original Pokemon Center.
However, it’s close to where the original one was The original one opened in 1998 and actually moved two times until this location.
Where you see now, And the best thing about this Pokemon Center is the mural on the wall which showcases the games going back from the first gen all the way to the latest generations.
So if you’re looking for a little bit of a nostalgia hit, this is definitely the place to visit When it comes to merchandise.
Generally, they hold the same merch that you will find at the other stores like Ikebukuro and Shibuya. However, some of the exclusive items that you could find here are a Kabuki Pikachu, a Ninja Pikachu and a Cherry Blossom Pikachu.
These are only found at this store Aside from the Pokemon Center DX.
The Pokemon Cafe is also here Now.
If you want to visit the actual cafe, you will have to make a reservation fairly far in advance.
There is a possibility of being able to get on the standby list to go inside.
However, your chances really depends on somebody.’s reservation being canceled out.
One more thing to keep an eye out for diehard.
Pokemon fans is to look for signatures.
Many of the statues that are on display in front of the Pokemon Centers actually have signatures from the original creator.
King So make sure to keep an eye on them In regards to size. The Pokemon Center Tokyo DX is about the same size as Shibuya, so don’t let the mirrors fool you Close by at Tokyo Station, there’s another small Pokemon store.
Now it isn’t a Pokemon Center, but it’s worth visiting if you’re in the area light upbeat music Aimee.
If you’re in the Tokyo Station area, if you’re in between your Shinkansen, then a good place to come is the Pokemon store on the B1 Floor of Tokyo Station.
It’s not a Pokemon Center and it is quite a bit smaller with less merchandise, but if you need to get your Pokemon fixed in a short amount of time, this is the place to go air swooshes laser beams, upbeat music.
Lastly, we’re hitting up the Pokemon Center in the Skytree Town.
The coolest thing about this Pokemon Center is that it has two Rayquaza statues inside the building itself.
In the entrance, you have your normal Rayquaza, with Pikachu riding on top and at the back end of the store they actually have a mega Rayquaza breaking through through the ceiling In regards to limited goods that can be found here, you can find Pikachu holding a skytree And that is limited only to this store.
This shop also has gacha machines which are located in all of the Pokemon Centers.
So if you wan na get some toys to remember your visit by make sure to stop by and try out the gacha machines, One of the best things about Skytree is that it’s in a huge shopping center.
So if you wan na do more than just check out the Pokemon store, they generally have art galleries, specialty shops as well as theme cafes. Lastly, one of the things that we’d like to mention is that if it’s your birthday, you could actually claim a special Pokemon code for one of your games.
In order to do this, you just have to show proof of your birthday via a passport or similar ID.
Now it doesn’t have to be your birthday exactly.
It could be within the birth month itself.
When you walk up to the counter, the staff will have to confirm on your Switch, that you have the Pokemon game installed, So make sure to bring your Switch when you’re redeeming these codes.
So those are all the Pokemon Centers in Tokyo prefecture.
Make sure you tell us in the comments which ones you’re going to visit on your next trip here, Thanks for watching Both Bye .
The living room is the heart of any home, a place where families gather, friends are entertained, and relaxation takes center stage. With the increasing demand for both functionality and aesthetics, creating a durable and stylish living room space is essential. This guide will walk you through practical tips and innovative ideas to craft a living room that stands the test of time while staying effortlessly chic.
Understanding the Importance of Durability
When designing a living room, the focus should be on creating a space that can withstand daily wear and tear. According to Home Improvement Industry Statistics, an average living room remodel costs between $10,000 and $25,000, making it crucial to invest wisely. Durable materials not only save money in the long run but also sustain the aesthetic appeal.
Choosing the Right Materials
Opt for materials that promise longevity. Consider using leather or high-performance fabrics for sofas, as they are more resistant to stains and scratches. Hardwood floors, although costlier, offer superior durability compared to carpets and provide a timeless look.
Investing in Quality Furniture
Quality over quantity should be your mantra when selecting furniture. Brands like IKEA and West Elm offer a variety of durable options. Look for sturdy frames, preferably made of hardwood, and check for warranties to ensure a wise investment.
Incorporating Style with Durability
While durability is essential, style should not be compromised. The challenge is to seamlessly blend both elements to create a living room that’s not only functional but also visually appealing.
Using Color and Patterns
Colors and patterns can dramatically influence the vibe of your living room. According to Color Psychology, neutral tones like beige and gray promote calmness, while bold hues like teal and mustard add vibrancy. Incorporate patterns through throw pillows or rugs to add depth without overwhelming the space.
Accessorizing with Durable Decor
Decorative items like vases, frames, and art should reflect your personality while ensuring endurance. Opt for metal or ceramic materials over glass to prevent easy breakage. A well-placed can elevate the room’s style quotient.
Maximizing Space and Functionality
In modern homes, space is often at a premium. Therefore, maximizing the available area without compromising on style and durability is imperative.
Intelligent Layout Design
Design the layout to enhance flow and functionality. Use multi-purpose furniture like ottomans with storage or a fold-out coffee table to keep the space organized. Ensure pathways are unobstructed to facilitate easy movement.
Lighting for Ambiance and Functionality
Lighting plays a crucial role in setting the mood of the living room. Layer different types of lighting – ambient, task, and accent – to create a balanced environment. According to Lighting Industry Trends, LED lights are popular for their energy efficiency and longevity.
Maintaining Your Living Room
A well-maintained living room retains its charm and functionality over time. Regular upkeep is key to preserving both the durability and style of the space.
Routine Cleaning and Care
Implement a regular cleaning schedule. Use appropriate cleaners for different materials; for instance, leather conditioners for sofas and gentle cleansers for hardwood floors. This practice not only maintains hygiene but also prolongs the life of your furnishings.
Adapting to Seasonal Changes
Seasonal decor changes can refresh your living room’s look. Swap out heavy drapes for light curtains in summer or add cozy throws in winter. These small changes can rejuvenate the space without major renovations.
Conclusion
Creating a durable and stylish living room is an achievable goal with the right approach. By prioritizing quality materials, thoughtful design, and regular maintenance, your living room can become a lasting haven of comfort and style. Whether you’re revamping your current space or starting from scratch, these insights will guide you towards a living room that truly stands the test of time.
Non-toxic Materials for Safe Playroom Design: Creating a Safe Haven for Children
Designing a playroom for children can be one of the most fulfilling projects for any parent or caregiver. However, amidst the excitement of selecting vibrant colors and fun furniture, it’s crucial to prioritize safety by choosing non-toxic materials. In this comprehensive guide, we delve into the importance of non-toxic materials for playroom design, offering practical tips and insights to create a safe and healthy environment for your children.
Why Non-toxic Materials Matter in Playroom Design
Children are particularly susceptible to environmental toxins due to their developing bodies and behaviors, such as hand-to-mouth activities. According to the Environmental Protection Agency (EPA), indoor air can be two to five times more polluted than outdoor air, which is particularly concerning for spaces where children spend a significant amount of time. Utilizing non-toxic materials reduces the risk of exposure to harmful chemicals found in many conventional products. This not only protects their health but also promotes a more sustainable environment.
Identifying Common Toxins in Playroom Materials
Volatile Organic Compounds (VOCs)
VOCs are commonly found in paints, furniture finishes, and cleaning products. These compounds can evaporate into the air, leading to potential respiratory issues and other health problems. Opting for low-VOC or VOC-free products is a crucial step in minimizing indoor pollution.
Phthalates and BPA
Plastics used in toys and playroom furniture may contain phthalates and Bisphenol A (BPA), which are chemicals linked to hormonal disruptions and other health concerns. Choosing BPA-free and phthalate-free plastics or alternative materials can significantly lower these risks.
Formaldehyde
Often found in pressed-wood products, formaldehyde is a known carcinogen that can off-gas into the air. Selecting formaldehyde-free plywood and furniture can help maintain a healthier indoor environment.
Non-toxic Materials for Playroom Furniture
Solid Wood Furniture
When selecting furniture, opt for solid wood pieces that are finished with natural oils or water-based varnishes. These options are not only durable but also free from harmful chemicals typically found in composite woods.
Natural Fiber Rugs and Carpets
Rugs and carpets made from natural fibers like cotton, wool, or jute are excellent choices. They are typically untreated with toxic chemicals and offer a soft, safe surface for children to play on. Ensure they are certified organic to avoid pesticide residues.
Non-toxic Paints and Wallpapers
Paints and wallpapers can significantly impact air quality in a playroom. Choose non-toxic, zero-VOC paints and wallpapers made from natural materials like cellulose or recycled paper. This not only enhances air quality but also ensures a safer setting for your child.
Eco-friendly and Non-toxic Toys
Wooden Toys
Wooden toys are a timeless and safe choice, especially those made from sustainably sourced wood and finished with plant-based dyes. They are durable and free from harmful plastics, making them a wise investment for your child’s health and the environment.
Organic Fabric Dolls and Stuffed Animals
Opt for dolls and stuffed animals made from organic cotton or wool. These materials are free from harmful chemicals and safer for young children who may chew or suck on their toys.
Actionable Tips for Designing a Non-toxic Playroom
Ventilation is Key
Ensure proper ventilation in the playroom to minimize the buildup of indoor pollutants. Use air purifiers with HEPA filters and open windows regularly to circulate fresh air.
Choose Natural Cleaning Products
Cleaning products can introduce toxins into the playroom. Utilize natural cleaning solutions like vinegar and baking soda to maintain cleanliness without compromising air quality.
Regularly Inspect and Update
Regularly inspect toys and furniture for wear and tear. Replace or repair items as needed to maintain a safe environment. Stay informed about product recalls and safety alerts related to children’s products.
Conclusion: Prioritizing Safety and Sustainability
Designing a playroom with non-toxic materials is an investment in your child’s health and well-being. By choosing safe furniture, toys, and finishes, you create a nurturing environment that fosters growth and creativity. Moreover, these choices reflect a commitment to sustainability, contributing to a healthier planet for future generations. As you embark on this design journey, remember that every small step towards a non-toxic playroom is a significant stride towards a safer and more sustainable future.
In conclusion, creating a non-toxic playroom requires careful consideration of materials and products. By prioritizing safety and sustainability, you ensure a delightful and secure space where your child can learn, play, and grow. Armed with the knowledge and tips shared in this guide, you are well-equipped to make informed decisions that benefit both your child and the environment.
When cleaning carpets or rugs it can beÂ
challenging to find the right cleaning solution  that effectively removes stains and odors. UsingÂ
baking soda and vinegar to clean your carpet is  a natural, safe, cheap and effective cleaningÂ
solution that won't break the carpet or rug.  Here's a step-by-step guide on how to cleanÂ
your carpet with baking soda and vinegar. Follow all the steps in this videoÂ
for the best results and don’t forget  to subscribe to get all the householdÂ
tips & tricks you don’t want to miss. Before you start, gatherÂ
all the necessary supplies.  You'll need baking soda, vinegar, a sprayÂ
bottle, a vacuum cleaner, and a scrub brush.  White vinegar is the mostÂ
commonly used in cleaning. Before you start cleaning, vacuum your carpetÂ
to remove any loose dirt, dust, or debris.  This will ensure that the baking soda and vinegarÂ
mixture can penetrate deep into the carpet fibers. Sprinkle a generous amount ofÂ
baking soda onto the carpet,  making sure to cover all the stained areas.  Baking soda is an excellent natural deodorizerÂ
and will help to neutralize any unpleasant odors.
Fill your spray bottle with vinegarÂ
and spray it over the baking soda.  The vinegar will react with the bakingÂ
soda, causing it to fizz and bubble.  This chemical reaction helps to loosenÂ
dirt and grime from the carpet fibers. Using a scrub brush, work the baking sodaÂ
and vinegar mixture into the carpet fibers.  Be sure to work in a circular motion,Â
making sure to cover all the stained areas.  Scrubbing will help to lift the dirtÂ
and stains from the carpet fibers. After scrubbing, allow the bakingÂ
soda and vinegar mixture to sit on  the carpet for at least 30 minutes. This will give  the mixture time to work its magic andÂ
penetrate deep into the carpet fibers. Once the mixture has had time to sit,Â
vacuum your carpet again to remove the  baking soda and any remaining dirtÂ
or debris. You may need to vacuum  several times to ensure that all theÂ
baking soda is removed from the carpet.
Finally, allow your carpetÂ
or rug to air dry completely.  Do not walk on the carpetÂ
until it is completely dry. Cleaning your carpet with baking soda andÂ
vinegar is a safe, natural, and effective  cleaning solution. This method is perfect forÂ
removing stains and odors from your carpet without  using harsh chemicals. With these simple steps,Â
your carpet will look and smell as good as new. Follow this channel to learn many moreÂ
household tips, tricks and lifehacks.  Good luck and see you in the next video..
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STORE. THIS BACKING, STO STORE. THIS BACKING, STO STORE. THIS BACKING, STO
THIS STORE. THIS BACKING, STO
THIS IS STORE. THIS BACKING, STO
THIS IS A STORE. THIS BACKING, STO
THIS IS A REVERSIBLE STORE.
THIS BACKING, STO
THIS IS A REVERSIBLE LOG THIS IS A REVERSIBLE LOG THIS IS A REVERSIBLE LOG
OKAY? THIS IS A REVERSIBLE LOG
OKAY? NO THIS IS A REVERSIBLE LOG
OKAY? NO BRACK– THIS IS A REVERSIBLE LOG
OKAY? NO BRACK– BACKING OKAY? NO BRACK– BACKING OKAY? NO BRACK– BACKING
AT OKAY? NO BRACK– BACKING
AT ALL.–RUG. OKAY? NO BRACK– BACKING
AT ALL.–RUG. PUT OKAY? NO BRACK– BACKING
AT ALL.–RUG. PUT THIS AT ALL.–RUG. PUT THIS AT ALL.–RUG. PUT THIS
ONE AT ALL.–RUG. PUT THIS
ONE HERE, AT ALL.–RUG. PUT THIS
ONE HERE, THIS AT ALL.–RUG. PUT THIS
ONE HERE, THIS ONE AT ALL.–RUG. PUT THIS
ONE HERE, THIS ONE RIGHT ONE HERE, THIS ONE RIGHT ONE HERE, THIS ONE RIGHT
HERE, ONE HERE, THIS ONE RIGHT
HERE, AND ONE HERE, THIS ONE RIGHT
HERE, AND EXCUSE ONE HERE, THIS ONE RIGHT
HERE, AND EXCUSE ME.
HERE, AND EXCUSE ME. HERE, AND EXCUSE ME.
THERE HERE, AND EXCUSE ME.
THERE IS HERE, AND EXCUSE ME.
THERE IS A HERE, AND EXCUSE ME.
THERE IS A DIFFERENCE. THERE IS A DIFFERENCE. THERE IS A DIFFERENCE.
>>HOST: THERE IS A DIFFERENCE.
>>HOST: OH THERE IS A DIFFERENCE.
>>HOST: OH MY THERE IS A DIFFERENCE.
>>HOST: OH MY GOSH!– >>HOST: OH MY GOSH!– >>HOST: OH MY GOSH!–
BOUGHT >>HOST: OH MY GOSH!–
BOUGHT THIS >>HOST: OH MY GOSH!–
BOUGHT THIS AT >>HOST: OH MY GOSH!–
BOUGHT THIS AT A. BOUGHT THIS AT A. BOUGHT THIS AT A.
>>GUEST: BOUGHT THIS AT A.
>>GUEST: ICY BOUGHT THIS AT A.
>>GUEST: ICY LIKE BOUGHT THIS AT A.
>>GUEST: ICY LIKE I'M >>GUEST: ICY LIKE I'M >>GUEST: ICY LIKE I'M
DOING >>GUEST: ICY LIKE I'M
DOING A >>GUEST: ICY LIKE I'M
DOING A MAGIC >>GUEST: ICY LIKE I'M
DOING A MAGIC TRICK >>GUEST: ICY LIKE I'M
DOING A MAGIC TRICK BUT DOING A MAGIC TRICK BUT DOING A MAGIC TRICK BUT
I DOING A MAGIC TRICK BUT
I AM DOING A MAGIC TRICK BUT
I AM NOT.
DOING A MAGIC TRICK BUT
I AM NOT. NO DOING A MAGIC TRICK BUT
I AM NOT. NO RESIDUE DOING A MAGIC TRICK BUT
I AM NOT. NO RESIDUE AT I AM NOT. NO RESIDUE AT I AM NOT. NO RESIDUE AT
ALL.–SPRAY I AM NOT. NO RESIDUE AT
ALL.–SPRAY THIS– I AM NOT. NO RESIDUE AT
ALL.–SPRAY THIS– FORMAT ALL.–SPRAY THIS– FORMAT ALL.–SPRAY THIS– FORMAT
ALL.–SPRAY ALL.–SPRAY THIS– FORMAT
ALL.–SPRAY THIS–OR ALL.–SPRAY THIS– FORMAT
ALL.–SPRAY THIS–OR MAT. ALL.–SPRAY THIS–OR MAT. ALL.–SPRAY THIS–OR MAT.
IT ALL.–SPRAY THIS–OR MAT.
IT JUST ALL.–SPRAY THIS–OR MAT.
IT JUST KEEPS ALL.–SPRAY THIS–OR MAT.
IT JUST KEEPS LASTING. IT JUST KEEPS LASTING. IT JUST KEEPS LASTING.
IT IT JUST KEEPS LASTING.
IT KEEPS IT JUST KEEPS LASTING.
IT KEEPS GOING. IT JUST KEEPS LASTING.
IT KEEPS GOING. THE IT JUST KEEPS LASTING.
IT KEEPS GOING. THE ONLY IT KEEPS GOING. THE ONLY IT KEEPS GOING. THE ONLY
THING, IT KEEPS GOING. THE ONLY
THING, ANYTHING IT KEEPS GOING.
THE ONLY
THING, ANYTHING THAT IT KEEPS GOING. THE ONLY
THING, ANYTHING THAT IS THING, ANYTHING THAT IS THING, ANYTHING THAT IS
BEATABLE THING, ANYTHING THAT IS
BEATABLE ABOUT THING, ANYTHING THAT IS
BEATABLE ABOUT THIS THING, ANYTHING THAT IS
BEATABLE ABOUT THIS IS BEATABLE ABOUT THIS IS BEATABLE ABOUT THIS IS
YOU BEATABLE ABOUT THIS IS
YOU CAN BEATABLE ABOUT THIS IS
YOU CAN REAPPLY BEATABLE ABOUT THIS IS
YOU CAN REAPPLY YOU BEATABLE ABOUT THIS IS
YOU CAN REAPPLY YOU CAN YOU CAN REAPPLY YOU CAN YOU CAN REAPPLY YOU CAN
IT.–IT'S YOU CAN REAPPLY YOU CAN
IT.–IT'S. YOU CAN REAPPLY YOU CAN
IT.–IT'S. THAT YOU CAN REAPPLY YOU CAN
IT.–IT'S. THAT YOU YOU CAN REAPPLY YOU CAN
IT.–IT'S. THAT YOU GOT IT.–IT'S. THAT YOU GOT IT.–IT'S. THAT YOU GOT
THIS IT.–IT'S. THAT YOU GOT
THIS REALLY, IT.–IT'S. THAT YOU GOT
THIS REALLY, REALLY IT.–IT'S. THAT YOU GOT
THIS REALLY, REALLY THIS THIS REALLY, REALLY THIS THIS REALLY, REALLY THIS
DIRTY THIS REALLY, REALLY THIS
DIRTY OR THIS REALLY, REALLY THIS
DIRTY OR SOMETHING.
THIS REALLY, REALLY THIS
DIRTY OR SOMETHING. I'VE DIRTY OR SOMETHING. I'VE DIRTY OR SOMETHING. I'VE
BEEN DIRTY OR SOMETHING. I'VE
BEEN USING DIRTY OR SOMETHING. I'VE
BEEN USING THIS DIRTY OR SOMETHING. I'VE
BEEN USING THIS FOR DIRTY OR SOMETHING. I'VE
BEEN USING THIS FOR OVER BEEN USING THIS FOR OVER BEEN USING THIS FOR OVER
A BEEN USING THIS FOR OVER
A YEAR, BEEN USING THIS FOR OVER
A YEAR, AND BEEN USING THIS FOR OVER
A YEAR, AND MINE BEEN USING THIS FOR OVER
A YEAR, AND MINE STILL BEEN USING THIS FOR OVER
A YEAR, AND MINE STILL A A YEAR, AND MINE STILL A A YEAR, AND MINE STILL A
AT A YEAR, AND MINE STILL A
AT HERE. A YEAR, AND MINE STILL A
AT HERE. LET'S A YEAR, AND MINE STILL A
AT HERE. LET'S TAKE A YEAR, AND MINE STILL A
AT HERE. LET'S TAKE A AT HERE. LET'S TAKE A AT HERE. LET'S TAKE A
LOOK AT HERE. LET'S TAKE A
LOOK HERE. AT HERE. LET'S TAKE A
LOOK HERE.
HERE AT HERE. LET'S TAKE A
LOOK HERE. HERE IS AT HERE. LET'S TAKE A
LOOK HERE. HERE IS YOUR LOOK HERE. HERE IS YOUR LOOK HERE. HERE IS YOUR
FANCY LOOK HERE. HERE IS YOUR
FANCY WOOD LOOK HERE. HERE IS YOUR
FANCY WOOD FLOOR, LOOK HERE. HERE IS YOUR
FANCY WOOD FLOOR, RIGHT? FANCY WOOD FLOOR, RIGHT? FANCY WOOD FLOOR, RIGHT?
>>HOST: FANCY WOOD FLOOR, RIGHT?
>>HOST: OKAY >>HOST: OKAY >>HOST: OKAY
>>GUEST: >>HOST: OKAY
>>GUEST: I >>HOST: OKAY
>>GUEST: I DO >>HOST: OKAY
>>GUEST: I DO REMEMBER >>GUEST: I DO REMEMBER >>GUEST: I DO REMEMBER
WHICH >>GUEST: I DO REMEMBER
WHICH ONE >>GUEST: I DO REMEMBER
WHICH ONE HAS >>GUEST: I DO REMEMBER
WHICH ONE HAS IT, >>GUEST: I DO REMEMBER
WHICH ONE HAS IT, OKAY? WHICH ONE HAS IT, OKAY? WHICH ONE HAS IT, OKAY?
YOU WHICH ONE HAS IT, OKAY?
YOU TRY.
WHICH ONE HAS IT, OKAY?
YOU TRY. TELL WHICH ONE HAS IT, OKAY?
YOU TRY. TELL ME WHICH ONE HAS IT, OKAY?
YOU TRY. TELL ME WHICH YOU TRY. TELL ME WHICH YOU TRY. TELL ME WHICH
ONE YOU TRY. TELL ME WHICH
ONE HAS YOU TRY. TELL ME WHICH
ONE HAS LIQUID YOU TRY. TELL ME WHICH
ONE HAS LIQUID HOLD. ONE HAS LIQUID HOLD. ONE HAS LIQUID HOLD.
>>HOST: ONE HAS LIQUID HOLD.
>>HOST: NOT ONE HAS LIQUID HOLD.
>>HOST: NOT THAT. >>HOST: NOT THAT. >>HOST: NOT THAT.
>>GUEST: >>HOST: NOT THAT.
>>GUEST: AND >>HOST: NOT THAT.
>>GUEST: AND WHICH >>HOST: NOT THAT.
>>GUEST: AND WHICH ONE >>GUEST: AND WHICH ONE >>GUEST: AND WHICH ONE
DOES >>GUEST: AND WHICH ONE
DOES NOT.
DOES NOT. DOES NOT.
>>HOST: DOES NOT.
>>HOST: [LAUGHTER] >>HOST: [LAUGHTER] >>HOST: [LAUGHTER]
>>GUEST: >>HOST: [LAUGHTER]
>>GUEST: IT >>HOST: [LAUGHTER]
>>GUEST: IT IS >>HOST: [LAUGHTER]
>>GUEST: IT IS CLEAR, >>GUEST: IT IS CLEAR, >>GUEST: IT IS CLEAR,
RIGHT? >>GUEST: IT IS CLEAR,
RIGHT? LOOK >>GUEST: IT IS CLEAR,
RIGHT? LOOK AT >>GUEST: IT IS CLEAR,
RIGHT? LOOK AT THE RIGHT? LOOK AT THE RIGHT? LOOK AT THE
DIFFERENCE. RIGHT? LOOK AT THE
DIFFERENCE. YOU RIGHT? LOOK AT THE
DIFFERENCE. YOU DON'T DIFFERENCE. YOU DON'T DIFFERENCE. YOU DON'T
WANT DIFFERENCE. YOU DON'T
WANT YOUR DIFFERENCE. YOU DON'T
WANT YOUR GUESTS DIFFERENCE. YOU DON'T
WANT YOUR GUESTS TO DIFFERENCE.
YOU DON'T
WANT YOUR GUESTS TO WALK WANT YOUR GUESTS TO WALK WANT YOUR GUESTS TO WALK
ON WANT YOUR GUESTS TO WALK
ON SOMETHING WANT YOUR GUESTS TO WALK
ON SOMETHING LIKE WANT YOUR GUESTS TO WALK
ON SOMETHING LIKE THAT WANT YOUR GUESTS TO WALK
ON SOMETHING LIKE THAT O ON SOMETHING LIKE THAT O ON SOMETHING LIKE THAT O
TO ON SOMETHING LIKE THAT O
TO YOU? TO YOU? TO YOU?
>>HOST: TO YOU?
>>HOST: NO! >>HOST: NO! >>HOST: NO!
>>GUEST: >>HOST: NO!
>>GUEST: TAKE >>HOST: NO!
>>GUEST: TAKE A >>HOST: NO!
>>GUEST: TAKE A LOOK >>HOST: NO!
>>GUEST: TAKE A LOOK AT >>GUEST: TAKE A LOOK AT >>GUEST: TAKE A LOOK AT
YOUR >>GUEST: TAKE A LOOK AT
YOUR BEAUTIFUL >>GUEST: TAKE A LOOK AT
YOUR BEAUTIFUL WOOD >>GUEST: TAKE A LOOK AT
YOUR BEAUTIFUL WOOD FLOOR YOUR BEAUTIFUL WOOD FLOOR YOUR BEAUTIFUL WOOD FLOOR
FLOOR.
YOUR BEAUTIFUL WOOD FLOOR
FLOOR. IS YOUR BEAUTIFUL WOOD FLOOR
FLOOR. IS THERE YOUR BEAUTIFUL WOOD FLOOR
FLOOR. IS THERE ANY FLOOR. IS THERE ANY FLOOR. IS THERE ANY
RESIDUE, FLOOR. IS THERE ANY
RESIDUE, ANYTHING? RESIDUE, ANYTHING? RESIDUE, ANYTHING?
>>HOST: RESIDUE, ANYTHING?
>>HOST: NO. >>HOST: NO. >>HOST: NO.
>>GUEST: >>HOST: NO.
>>GUEST: NOTHING >>HOST: NO.
>>GUEST: NOTHING AT >>HOST: NO.
>>GUEST: NOTHING AT >>G >>GUEST: NOTHING AT >>G >>GUEST: NOTHING AT >>G
ALL.
>>GUEST: NOTHING AT >>G
ALL. IT >>GUEST: NOTHING AT >>G
ALL. IT WORKS >>GUEST: NOTHING AT >>G
ALL. IT WORKS AT >>GUEST: NOTHING AT >>G
ALL. IT WORKS AT ALL >>GUEST: NOTHING AT >>G
ALL. IT WORKS AT ALL ALL ALL. IT WORKS AT ALL ALL ALL. IT WORKS AT ALL ALL
HARD ALL. IT WORKS AT ALL ALL
HARD SURFACES. ALL. IT WORKS AT ALL ALL
HARD SURFACES. LET'S ALL. IT WORKS AT ALL ALL
HARD SURFACES. LET'S HAR HARD SURFACES. LET'S HAR HARD SURFACES. LET'S HAR
JUMP HARD SURFACES. LET'S HAR
JUMP OVER HARD SURFACES. LET'S HAR
JUMP OVER HERE HARD SURFACES.
LET'S HAR
JUMP OVER HERE TO JUMP OVER HERE TO JUMP OVER HERE TO
LAMINATE. LAMINATE. LAMINATE.
>>HOST: LAMINATE.
>>HOST: YEAH. >>HOST: YEAH. >>HOST: YEAH.
>>GUEST: >>HOST: YEAH.
>>GUEST: NOW >>HOST: YEAH.
>>GUEST: NOW THIS >>HOST: YEAH.
>>GUEST: NOW THIS IS >>HOST: YEAH.
>>GUEST: NOW THIS IS A >>GUEST: NOW THIS IS A >>GUEST: NOW THIS IS A
PET >>GUEST: NOW THIS IS A
PET PEEVE >>GUEST: NOW THIS IS A
PET PEEVE OF >>GUEST: NOW THIS IS A
PET PEEVE OF MINE >>GUEST: NOW THIS IS A
PET PEEVE OF MINE PET >>GUEST: NOW THIS IS A
PET PEEVE OF MINE PET PE PET PEEVE OF MINE PET PE PET PEEVE OF MINE PET PE
BECAUSE PET PEEVE OF MINE PET PE
BECAUSE THIS PET PEEVE OF MINE PET PE
BECAUSE THIS IS PET PEEVE OF MINE PET PE
BECAUSE THIS IS WHAT PET PEEVE OF MINE PET PE
BECAUSE THIS IS WHAT I BECAUSE THIS IS WHAT I BECAUSE THIS IS WHAT I
HAD BECAUSE THIS IS WHAT I
HAD A BECAUSE THIS IS WHAT I
HAD A GNAT–MAT BECAUSE THIS IS WHAT I
HAD A GNAT–MAT IN BECAUSE THIS IS WHAT I
HAD A GNAT–MAT IN THE HAD A GNAT–MAT IN THE HAD A GNAT–MAT IN THE
FRONT HAD A GNAT–MAT IN THE
FRONT DOOR.
HAD A GNAT–MAT IN THE
FRONT DOOR. THIS HAD A GNAT–MAT IN THE
FRONT DOOR. THIS NOT, FRONT DOOR. THIS NOT, FRONT DOOR. THIS NOT,
TAKE FRONT DOOR. THIS NOT,
TAKE A FRONT DOOR. THIS NOT,
TAKE A LOOK. FRONT DOOR. THIS NOT,
TAKE A LOOK. THIS FRONT DOOR. THIS NOT,
TAKE A LOOK. THIS IS FRONT DOOR. THIS NOT,
TAKE A LOOK. THIS IS A TAKE A LOOK. THIS IS A TAKE A LOOK. THIS IS A
LITTLE TAKE A LOOK. THIS IS A
LITTLE BIT TAKE A LOOK. THIS IS A
LITTLE BIT STIFFER. LITTLE BIT STIFFER. LITTLE BIT STIFFER.
>>HOST: LITTLE BIT STIFFER.
>>HOST: SURE. >>HOST: SURE. >>HOST: SURE.
>>GUEST: >>HOST: SURE.
>>GUEST: WHAT >>HOST: SURE.
>>GUEST: WHAT HAPPENED? >>GUEST: WHAT HAPPENED? >>GUEST: WHAT HAPPENED?
THIS >>GUEST: WHAT HAPPENED?
THIS HAPPENS, >>GUEST: WHAT HAPPENED?
THIS HAPPENS, THIS >>GUEST: WHAT HAPPENED?
THIS HAPPENS, THIS CURL, THIS HAPPENS, THIS CURL, THIS HAPPENS, THIS CURL,
CURLED THIS HAPPENS, THIS CURL,
CURLS THIS HAPPENS, THIS CURL,
CURLS UP.
THIS HAPPENS, THIS CURL,
CURLS UP. I THIS HAPPENS, THIS CURL,
CURLS UP. I TRIP THIS HAPPENS, THIS CURL,
CURLS UP. I TRIP ALL THIS HAPPENS, THIS CURL,
CURLS UP. I TRIP ALL THE CURLS UP. I TRIP ALL THE CURLS UP. I TRIP ALL THE
TIME CURLS UP. I TRIP ALL THE
TIME OVER CURLS UP. I TRIP ALL THE
TIME OVER IT, CURLS UP. I TRIP ALL THE
TIME OVER IT, AND CURLS UP. I TRIP ALL THE
TIME OVER IT, AND IT TIME OVER IT, AND IT TIME OVER IT, AND IT
KEEPS TIME OVER IT, AND IT
KEEPS HAPPENING, TIME OVER IT, AND IT
KEEPS HAPPENING, KEEPS KEEPS HAPPENING, KEEPS KEEPS HAPPENING, KEEPS
HAPPENING, KEEPS HAPPENING, KEEPS
HAPPENING, AND KEEPS HAPPENING, KEEPS
HAPPENING, AND IF KEEPS HAPPENING, KEEPS
HAPPENING, AND IF YOU HAPPENING, AND IF YOU HAPPENING, AND IF YOU
HAVE HAPPENING, AND IF YOU
HAVE A HAPPENING, AND IF YOU
HAVE A DOOR HAPPENING, AND IF YOU
HAVE A DOOR THAT'S HAPPENING, AND IF YOU
HAVE A DOOR THAT'S GOING HAVE A DOOR THAT'S GOING HAVE A DOOR THAT'S GOING
TO HAVE A DOOR THAT'S GOING
TO HAPPEN.
HAVE A DOOR THAT'S GOING
TO HAPPEN. >>HOST: TO HAPPEN. >>HOST: TO HAPPEN. >>HOST:
ABSOLUTELY. ABSOLUTELY. ABSOLUTELY.
>>GUEST: ABSOLUTELY.
>>GUEST: MY ABSOLUTELY.
>>GUEST: MY HUSBAND ABSOLUTELY.
>>GUEST: MY HUSBAND AND >>GUEST: MY HUSBAND AND >>GUEST: MY HUSBAND AND
I >>GUEST: MY HUSBAND AND
I GETS >>GUEST: MY HUSBAND AND
I GETS IRRITATED, >>GUEST: MY HUSBAND AND
I GETS IRRITATED, YOU I GETS IRRITATED, YOU I GETS IRRITATED, YOU
KNOW I GETS IRRITATED, YOU
KNOW WHAT I GETS IRRITATED, YOU
KNOW WHAT HE I GETS IRRITATED, YOU
KNOW WHAT HE WOULD I GETS IRRITATED, YOU
KNOW WHAT HE WOULD DO? KNOW WHAT HE WOULD DO? KNOW WHAT HE WOULD DO?
YOU KNOW WHAT HE WOULD DO?
YOU WOULD KNOW WHAT HE WOULD DO?
YOU WOULD JUST KNOW WHAT HE WOULD DO?
YOU WOULD JUST DO KNOW WHAT HE WOULD DO?
YOU WOULD JUST DO LIKE YOU WOULD JUST DO LIKE YOU WOULD JUST DO LIKE
THAT.–WOULD YOU WOULD JUST DO LIKE
THAT.–WOULD GET.
YOU WOULD JUST DO LIKE
THAT.–WOULD GET. I'M YOU WOULD JUST DO LIKE
THAT.–WOULD GET. I'M TH THAT.–WOULD GET. I'M TH THAT.–WOULD GET. I'M TH
NOT THAT.–WOULD GET. I'M TH
NOT DEALING THAT.–WOULD GET. I'M TH
NOT DEALING WITH THAT.–WOULD GET. I'M TH
NOT DEALING WITH THAT NOT DEALING WITH THAT NOT DEALING WITH THAT
ANYMORE.
NOT DEALING WITH THAT
ANYMORE. ANYMORE. NOT DEALING WITH THAT
ANYMORE. ANYMORE. OKAY. ANYMORE. ANYMORE. OKAY. ANYMORE. ANYMORE. OKAY.
ONE ANYMORE. ANYMORE. OKAY.
ONE QUICK ANYMORE. ANYMORE. OKAY.
ONE QUICK CURING. ANYMORE. ANYMORE. OKAY.
ONE QUICK CURING. YVETTE ONE QUICK CURING. YVETTE ONE QUICK CURING. YVETTE
LOPEZ, ONE QUICK CURING. YVETTE
LOPEZ, WE ONE QUICK CURING. YVETTE
LOPEZ, WE HAVE ONE QUICK CURING. YVETTE
LOPEZ, WE HAVE 6 ONE QUICK CURING. YVETTE
LOPEZ, WE HAVE 6 MIN. ONE QUICK CURING. YVETTE
LOPEZ, WE HAVE 6 MIN.
OR LOPEZ, WE HAVE 6 MIN. OR LOPEZ, WE HAVE 6 MIN. OR
SELLOUT. LOPEZ, WE HAVE 6 MIN. OR
SELLOUT. WE LOPEZ, WE HAVE 6 MIN. OR
SELLOUT. WE ARE LOPEZ, WE HAVE 6 MIN. OR
SELLOUT. WE ARE VERY SELLOUT. WE ARE VERY SELLOUT. WE ARE VERY
BUSY, SELLOUT. WE ARE VERY
BUSY, AND SELLOUT. WE ARE VERY
BUSY, AND I'M SELLOUT. WE ARE VERY
BUSY, AND I'M THRILLED BUSY, AND I'M THRILLED BUSY, AND I'M THRILLED
YOU'RE BUSY, AND I'M THRILLED
YOU'RE LOVING BUSY, AND I'M THRILLED
YOU'RE LOVING IT. BUSY, AND I'M THRILLED
YOU'RE LOVING IT. THE YOU'RE LOVING IT. THE YOU'RE LOVING IT. THE
KHMER YOU'RE LOVING IT.
THE
KHMER ON YOU'RE LOVING IT. THE
KHMER ON HSN. YOU'RE LOVING IT. THE
KHMER ON HSN. THIS YOU'RE LOVING IT. THE
KHMER ON HSN. THIS IS KHMER ON HSN. THIS IS KHMER ON HSN. THIS IS
CAUSING KHMER ON HSN. THIS IS
CAUSING A KHMER ON HSN. THIS IS
CAUSING A LOT KHMER ON HSN. THIS IS
CAUSING A LOT OF KHMER ON HSN. THIS IS
CAUSING A LOT OF WAVES KHMER ON HSN. THIS IS
CAUSING A LOT OF WAVES C CAUSING A LOT OF WAVES C CAUSING A LOT OF WAVES C
IN CAUSING A LOT OF WAVES C
IN THE CAUSING A LOT OF WAVES C
IN THE MARKETPLACE, CAUSING A LOT OF WAVES C
IN THE MARKETPLACE, BUT IN THE MARKETPLACE, BUT IN THE MARKETPLACE, BUT
WE IN THE MARKETPLACE, BUT
WE HAVE IN THE MARKETPLACE, BUT
WE HAVE THE IN THE MARKETPLACE, BUT
WE HAVE THE BEST IN THE MARKETPLACE, BUT
WE HAVE THE BEST NIGHT WE HAVE THE BEST NIGHT WE HAVE THE BEST NIGHT
ANYWHERE.
WE HAVE THE BEST NIGHT
ANYWHERE. WE'RE WE HAVE THE BEST NIGHT
ANYWHERE. WE'RE SENDING ANYWHERE. WE'RE SENDING ANYWHERE. WE'RE SENDING
YOU ANYWHERE. WE'RE SENDING
YOU LOOK ANYWHERE. WE'RE SENDING
YOU LOOK TO ANYWHERE. WE'RE SENDING
YOU LOOK TO THE ANYWHERE. WE'RE SENDING
YOU LOOK TO THE JUMBO YOU LOOK TO THE JUMBO YOU LOOK TO THE JUMBO
SIZE. YOU LOOK TO THE JUMBO
SIZE. THIS YOU LOOK TO THE JUMBO
SIZE. THIS IS YOU LOOK TO THE JUMBO
SIZE. THIS IS NOT YOU LOOK TO THE JUMBO
SIZE. THIS IS NOT A SIZE. THIS IS NOT A SIZE. THIS IS NOT A
NORMAL SIZE. THIS IS NOT A
NORMAL SIZE SIZE. THIS IS NOT A
NORMAL SIZE BOTTLE. SIZE. THIS IS NOT A
NORMAL SIZE BOTTLE. IT SIZE. THIS IS NOT A
NORMAL SIZE BOTTLE. IT N NORMAL SIZE BOTTLE. IT N NORMAL SIZE BOTTLE. IT N
IS NORMAL SIZE BOTTLE.
IT N
IS THE NORMAL SIZE BOTTLE. IT N
IS THE JUMBO NORMAL SIZE BOTTLE. IT N
IS THE JUMBO SIZE NORMAL SIZE BOTTLE. IT N
IS THE JUMBO SIZE BOTTLE IS THE JUMBO SIZE BOTTLE IS THE JUMBO SIZE BOTTLE
FOR IS THE JUMBO SIZE BOTTLE
FOR $22.95. IS THE JUMBO SIZE BOTTLE
FOR $22.95. WE IS THE JUMBO SIZE BOTTLE
FOR $22.95. WE WILL IS THE JUMBO SIZE BOTTLE
FOR $22.95. WE WILL TAKE FOR $22.95. WE WILL TAKE FOR $22.95. WE WILL TAKE
SHIPPING FOR $22.95. WE WILL TAKE
SHIPPING AND FOR $22.95. WE WILL TAKE
SHIPPING AND HANDLING, SHIPPING AND HANDLING, SHIPPING AND HANDLING,
AND SHIPPING AND HANDLING,
AND WE SHIPPING AND HANDLING,
AND WE PUT SHIPPING AND HANDLING,
AND WE PUT IT SHIPPING AND HANDLING,
AND WE PUT IT ON SHIPPING AND HANDLING,
AND WE PUT IT ON FLEXING AND WE PUT IT ON FLEXING AND WE PUT IT ON FLEXING
AS AND WE PUT IT ON FLEXING
AS WELL.
AND WE PUT IT ON FLEXING
AS WELL. ALL AND WE PUT IT ON FLEXING
AS WELL. ALL YOU AND WE PUT IT ON FLEXING
AS WELL. ALL YOU DO AND WE PUT IT ON FLEXING
AS WELL. ALL YOU DO IS AS WELL. ALL YOU DO IS AS WELL. ALL YOU DO IS
SPRAY AS WELL. ALL YOU DO IS
SPRAY IT AS WELL. ALL YOU DO IS
SPRAY IT ON,–FLEXPAY, SPRAY IT ON,–FLEXPAY, SPRAY IT ON,–FLEXPAY,
LEAVE SPRAY IT ON,–FLEXPAY,
LEAVE IT SPRAY IT ON,–FLEXPAY,
LEAVE IT FOR SPRAY IT ON,–FLEXPAY,
LEAVE IT FOR A SPRAY IT ON,–FLEXPAY,
LEAVE IT FOR A LITTLE LEAVE IT FOR A LITTLE LEAVE IT FOR A LITTLE
BIT, LEAVE IT FOR A LITTLE
BIT, AND LEAVE IT FOR A LITTLE
BIT, AND WHAT LEAVE IT FOR A LITTLE
BIT, AND WHAT YOU LEAVE IT FOR A LITTLE
BIT, AND WHAT YOU HAVE LEAVE IT FOR A LITTLE
BIT, AND WHAT YOU HAVE B BIT, AND WHAT YOU HAVE B BIT, AND WHAT YOU HAVE B
IS BIT, AND WHAT YOU HAVE B
IS A BIT, AND WHAT YOU HAVE B
IS A RUG BIT, AND WHAT YOU HAVE B
IS A RUG THAT BIT, AND WHAT YOU HAVE B
IS A RUG THAT WILL BIT, AND WHAT YOU HAVE B
IS A RUG THAT WILL STAY IS A RUG THAT WILL STAY IS A RUG THAT WILL STAY
WHERE IS A RUG THAT WILL STAY
WHERE IT IS A RUG THAT WILL STAY
WHERE IT SHOULD IS A RUG THAT WILL STAY
WHERE IT SHOULD BE.
IS A RUG THAT WILL STAY
WHERE IT SHOULD BE. IT'S WHERE IT SHOULD BE. IT'S WHERE IT SHOULD BE. IT'S
A WHERE IT SHOULD BE. IT'S
A RUNNER WHERE IT SHOULD BE. IT'S
A RUNNER THAT WHERE IT SHOULD BE. IT'S
A RUNNER THAT WILL WHERE IT SHOULD BE. IT'S
A RUNNER THAT WILL NOT WHERE IT SHOULD BE. IT'S
A RUNNER THAT WILL NOT A A RUNNER THAT WILL NOT A A RUNNER THAT WILL NOT A
BE A RUNNER THAT WILL NOT A
BE RUNNING A RUNNER THAT WILL NOT A
BE RUNNING ALL A RUNNER THAT WILL NOT A
BE RUNNING ALL OVER A RUNNER THAT WILL NOT A
BE RUNNING ALL OVER THE BE RUNNING ALL OVER THE BE RUNNING ALL OVER THE
PLACE.
BE RUNNING ALL OVER THE
PLACE. IT BE RUNNING ALL OVER THE
PLACE. IT ON BE RUNNING ALL OVER THE
PLACE. IT ON THAT BE RUNNING ALL OVER THE
PLACE. IT ON THAT COUNT PLACE. IT ON THAT COUNT PLACE. IT ON THAT COUNT
APP, PLACE. IT ON THAT COUNT
APP, WHENEVER PLACE. IT ON THAT COUNT
APP, WHENEVER IT PLACE. IT ON THAT COUNT
APP, WHENEVER IT IS PLACE. IT ON THAT COUNT
APP, WHENEVER IT IS ON APP, WHENEVER IT IS ON APP, WHENEVER IT IS ON
ANY APP, WHENEVER IT IS ON
ANY HARD APP, WHENEVER IT IS ON
ANY HARD FLOOR APP, WHENEVER IT IS ON
ANY HARD FLOOR SURFACE ANY HARD FLOOR SURFACE ANY HARD FLOOR SURFACE
THAT ANY HARD FLOOR SURFACE
THAT WILL ANY HARD FLOOR SURFACE
THAT WILL NO ANY HARD FLOOR SURFACE
THAT WILL NO LONGER ANY HARD FLOOR SURFACE
THAT WILL NO LONGER MOVE ANY HARD FLOOR SURFACE
THAT WILL NO LONGER MOVE.
THAT WILL NO LONGER MOVE. THAT WILL NO LONGER MOVE.
FOR THAT WILL NO LONGER MOVE.
FOR THOSE THAT WILL NO LONGER MOVE.
FOR THOSE OF THAT WILL NO LONGER MOVE.
FOR THOSE OF US THAT WILL NO LONGER MOVE.
FOR THOSE OF US THAT FOR THOSE OF US THAT FOR THOSE OF US THAT
HAPPENED FOR THOSE OF US THAT
HAPPENED OUT FOR THOSE OF US THAT
HAPPENED OUT AND FOR THOSE OF US THAT
HAPPENED OUT AND BOUGHT HAPPENED OUT AND BOUGHT HAPPENED OUT AND BOUGHT
THE HAPPENED OUT AND BOUGHT
THE PADS, HAPPENED OUT AND BOUGHT
THE PADS, BACKERS, HAPPENED OUT AND BOUGHT
THE PADS, BACKERS, FIRST THE PADS, BACKERS, FIRST THE PADS, BACKERS, FIRST
OF THE PADS, BACKERS, FIRST
OF ALL THE PADS, BACKERS, FIRST
OF ALL THE THE PADS, BACKERS, FIRST
OF ALL THE EXPENSIVE THE PADS, BACKERS, FIRST
OF ALL THE EXPENSIVE AND OF ALL THE EXPENSIVE AND OF ALL THE EXPENSIVE AND
YOU OF ALL THE EXPENSIVE AND
YOU HAVE OF ALL THE EXPENSIVE AND
YOU HAVE TO OF ALL THE EXPENSIVE AND
YOU HAVE TO CUT OF ALL THE EXPENSIVE AND
YOU HAVE TO CUT THEM OF ALL THE EXPENSIVE AND
YOU HAVE TO CUT THEM AND YOU HAVE TO CUT THEM AND YOU HAVE TO CUT THEM AND
THEY YOU HAVE TO CUT THEM AND
THEY ARE YOU HAVE TO CUT THEM AND
THEY ARE A YOU HAVE TO CUT THEM AND
THEY ARE A PAIN YOU HAVE TO CUT THEM AND
THEY ARE A PAIN IN YOU HAVE TO CUT THEM AND
THEY ARE A PAIN IN IT THEY ARE A PAIN IN IT THEY ARE A PAIN IN IT
ALWAYS THEY ARE A PAIN IN IT
ALWAYS WORK THEY ARE A PAIN IN IT
ALWAYS WORK AS THEY ARE A PAIN IN IT
ALWAYS WORK AS WELL THEY ARE A PAIN IN IT
ALWAYS WORK AS WELL AS ALWAYS WORK AS WELL AS ALWAYS WORK AS WELL AS
THEY ALWAYS WORK AS WELL AS
THEY SHOULD.
ALWAYS WORK AS WELL AS
THEY SHOULD. YOU ALWAYS WORK AS WELL AS
THEY SHOULD. YOU CAN THEY SHOULD. YOU CAN THEY SHOULD. YOU CAN
APPLY THEY SHOULD. YOU CAN
APPLY THIS THEY SHOULD. YOU CAN
APPLY THIS TO THEY SHOULD. YOU CAN
APPLY THIS TO ANYTHING APPLY THIS TO ANYTHING APPLY THIS TO ANYTHING
THAT APPLY THIS TO ANYTHING
THAT IT APPLY THIS TO ANYTHING
THAT IT WILL APPLY THIS TO ANYTHING
THAT IT WILL STAY APPLY THIS TO ANYTHING
THAT IT WILL STAY WHERE THAT IT WILL STAY WHERE THAT IT WILL STAY WHERE
IT THAT IT WILL STAY WHERE
IT SHOULD THAT IT WILL STAY WHERE
IT SHOULD BE.– THAT IT WILL STAY WHERE
IT SHOULD BE.– IT'S THAT IT WILL STAY WHERE
IT SHOULD BE.– IT'S A IT SHOULD BE.– IT'S A IT SHOULD BE.– IT'S A
IT IT SHOULD BE.– IT'S A
IT SHOULD IT SHOULD BE.– IT'S A
IT SHOULD BE. IT SHOULD BE.– IT'S A
IT SHOULD BE.
I IT SHOULD BE.– IT'S A
IT SHOULD BE. I DIDN'T IT SHOULD BE. I DIDN'T IT SHOULD BE. I DIDN'T
THINK IT SHOULD BE. I DIDN'T
THINK WHEN IT SHOULD BE. I DIDN'T
THINK WHEN THEY IT SHOULD BE. I DIDN'T
THINK WHEN THEY SHOWED IT SHOULD BE. I DIDN'T
THINK WHEN THEY SHOWED T THINK WHEN THEY SHOWED T THINK WHEN THEY SHOWED T
IT THINK WHEN THEY SHOWED T
IT TO THINK WHEN THEY SHOWED T
IT TO ME THINK WHEN THEY SHOWED T
IT TO ME YVETTE THINK WHEN THEY SHOWED T
IT TO ME YVETTE LOPEZ, IT TO ME YVETTE LOPEZ, IT TO ME YVETTE LOPEZ,
WHEN IT TO ME YVETTE LOPEZ,
WHEN THEY IT TO ME YVETTE LOPEZ,
WHEN THEY SHOWED IT TO ME YVETTE LOPEZ,
WHEN THEY SHOWED THE WHEN THEY SHOWED THE WHEN THEY SHOWED THE
MONDAY WHEN THEY SHOWED THE
MONDAY NIGHT WHEN THEY SHOWED THE
MONDAY NIGHT SHOW WHEN THEY SHOWED THE
MONDAY NIGHT SHOW TEAM, MONDAY NIGHT SHOW TEAM, MONDAY NIGHT SHOW TEAM,
ALL MONDAY NIGHT SHOW TEAM,
ALL OF MONDAY NIGHT SHOW TEAM,
ALL OF US, MONDAY NIGHT SHOW TEAM,
ALL OF US, WE'LL MONDAY NIGHT SHOW TEAM,
ALL OF US, WE'LL GIVE MONDAY NIGHT SHOW TEAM,
ALL OF US, WE'LL GIVE AL ALL OF US, WE'LL GIVE AL ALL OF US, WE'LL GIVE AL
TWO ALL OF US, WE'LL GIVE AL
TWO THUMBS ALL OF US, WE'LL GIVE AL
TWO THUMBS UP.
TWO THUMBS UP. TWO THUMBS UP.
>>GUEST: TWO THUMBS UP.
>>GUEST: [LAUGHTER] >>GUEST: [LAUGHTER] >>GUEST: [LAUGHTER]
>>HOST: >>GUEST: [LAUGHTER]
>>HOST: THIS >>GUEST: [LAUGHTER]
>>HOST: THIS THING >>GUEST: [LAUGHTER]
>>HOST: THIS THING IS >>GUEST: [LAUGHTER]
>>HOST: THIS THING IS A >>HOST: THIS THING IS A >>HOST: THIS THING IS A
MEGASTAR >>HOST: THIS THING IS A
MEGASTAR PRODUCTS. >>HOST: THIS THING IS A
MEGASTAR PRODUCTS. BUT MEGASTAR PRODUCTS. BUT MEGASTAR PRODUCTS. BUT
ONLY MEGASTAR PRODUCTS. BUT
ONLY IF MEGASTAR PRODUCTS. BUT
ONLY IF THE MEGASTAR PRODUCTS. BUT
ONLY IF THE SAFETY MEGASTAR PRODUCTS. BUT
ONLY IF THE SAFETY HAVE ONLY IF THE SAFETY HAVE ONLY IF THE SAFETY HAVE
HEARD, ONLY IF THE SAFETY HAVE
HEARD, OF ONLY IF THE SAFETY HAVE
HEARD, OF YOUR ONLY IF THE SAFETY HAVE
HEARD, OF YOUR FED ONLY IF THE SAFETY HAVE
HEARD, OF YOUR FED UP ONLY IF THE SAFETY HAVE
HEARD, OF YOUR FED UP OF HEARD, OF YOUR FED UP OF HEARD, OF YOUR FED UP OF
THAT.
HEARD, OF YOUR FED UP OF
THAT. WE HEARD, OF YOUR FED UP OF
THAT. WE HAVE HEARD, OF YOUR FED UP OF
THAT. WE HAVE THE THAT. WE HAVE THE THAT. WE HAVE THE
SOLUTION. SOLUTION. SOLUTION.
>>GUEST: SOLUTION.
>>GUEST: YOU SOLUTION.
>>GUEST: YOU TALKED SOLUTION.
>>GUEST: YOU TALKED ABOUT >>GUEST: YOU TALKED ABOUT >>GUEST: YOU TALKED ABOUT
ABOUT. >>GUEST: YOU TALKED ABOUT
ABOUT. HERE >>GUEST: YOU TALKED ABOUT
ABOUT.
HERE IS >>GUEST: YOU TALKED ABOUT
ABOUT. HERE IS YOUR >>GUEST: YOU TALKED ABOUT
ABOUT. HERE IS YOUR TILE >>GUEST: YOU TALKED ABOUT
ABOUT. HERE IS YOUR TILE. ABOUT. HERE IS YOUR TILE. ABOUT. HERE IS YOUR TILE.
THIS ABOUT. HERE IS YOUR TILE.
THIS IS ABOUT. HERE IS YOUR TILE.
THIS IS A ABOUT. HERE IS YOUR TILE.
THIS IS A BATHMAT ABOUT. HERE IS YOUR TILE.
THIS IS A BATHMAT IN THIS IS A BATHMAT IN THIS IS A BATHMAT IN
YOUR THIS IS A BATHMAT IN
YOUR BATHROOM. THIS IS A BATHMAT IN
YOUR BATHROOM. YOU THIS IS A BATHMAT IN
YOUR BATHROOM. YOU ARE YOUR BATHROOM. YOU ARE YOUR BATHROOM. YOU ARE
GETTING YOUR BATHROOM. YOU ARE
GETTING OUT YOUR BATHROOM. YOU ARE
GETTING OUT OF YOUR BATHROOM. YOU ARE
GETTING OUT OF THE YOUR BATHROOM. YOU ARE
GETTING OUT OF THE SHOWER GETTING OUT OF THE SHOWER GETTING OUT OF THE SHOWER
SHOWER. GETTING OUT OF THE SHOWER
SHOWER.
YOU GETTING OUT OF THE SHOWER
SHOWER. YOU DON'T GETTING OUT OF THE SHOWER
SHOWER. YOU DON'T WANT SHOWER. YOU DON'T WANT SHOWER. YOU DON'T WANT
THIS! SHOWER. YOU DON'T WANT
THIS! HOWEVER, SHOWER. YOU DON'T WANT
THIS! HOWEVER, YOU SHOWER. YOU DON'T WANT
THIS! HOWEVER, YOU THIS! THIS! HOWEVER, YOU THIS! THIS! HOWEVER, YOU THIS!
REALLY THIS! HOWEVER, YOU THIS!
REALLY WANT THIS! HOWEVER, YOU THIS!
REALLY WANT THAT THIS! HOWEVER, YOU THIS!
REALLY WANT THAT BATHMAT REALLY WANT THAT BATHMAT REALLY WANT THAT BATHMAT
BECAUSE REALLY WANT THAT BATHMAT
BECAUSE YOU REALLY WANT THAT BATHMAT
BECAUSE YOU KNOW REALLY WANT THAT BATHMAT
BECAUSE YOU KNOW WHAT? REALLY WANT THAT BATHMAT
BECAUSE YOU KNOW WHAT? B BECAUSE YOU KNOW WHAT? B BECAUSE YOU KNOW WHAT? B
IN BECAUSE YOU KNOW WHAT? B
IN MATCHES BECAUSE YOU KNOW WHAT? B
IN MATCHES YOUR BECAUSE YOU KNOW WHAT? B
IN MATCHES YOUR DECOR. IN MATCHES YOUR DECOR. IN MATCHES YOUR DECOR.
DECOR.–IT. IN MATCHES YOUR DECOR.
DECOR.–IT. YOU IN MATCHES YOUR DECOR.
DECOR.–IT.
YOU WANT IN MATCHES YOUR DECOR.
DECOR.–IT. YOU WANT THE DECOR.–IT. YOU WANT THE DECOR.–IT. YOU WANT THE
ONE DECOR.–IT. YOU WANT THE
ONE THAT DECOR.–IT. YOU WANT THE
ONE THAT MATCHES DECOR.–IT. YOU WANT THE
ONE THAT MATCHES THE DECOR.–IT. YOU WANT THE
ONE THAT MATCHES THE ONE ONE THAT MATCHES THE ONE ONE THAT MATCHES THE ONE
LOOK ONE THAT MATCHES THE ONE
LOOK PRETTY. ONE THAT MATCHES THE ONE
LOOK PRETTY. THAT ONE THAT MATCHES THE ONE
LOOK PRETTY. THAT THE ONE THAT MATCHES THE ONE
LOOK PRETTY. THAT THE LO LOOK PRETTY. THAT THE LO LOOK PRETTY. THAT THE LO
ONE LOOK PRETTY. THAT THE LO
ONE YOU LOOK PRETTY. THAT THE LO
ONE YOU WANT. LOOK PRETTY. THAT THE LO
ONE YOU WANT. NOW LOOK PRETTY. THAT THE LO
ONE YOU WANT. NOW AGAIN, ONE YOU WANT. NOW AGAIN, ONE YOU WANT. NOW AGAIN,
I ONE YOU WANT. NOW AGAIN,
I WANT ONE YOU WANT. NOW AGAIN,
I WANT TO ONE YOU WANT.
NOW AGAIN,
I WANT TO SHOW ONE YOU WANT. NOW AGAIN,
I WANT TO SHOW YOU ONE YOU WANT. NOW AGAIN,
I WANT TO SHOW YOU THIS. I WANT TO SHOW YOU THIS. I WANT TO SHOW YOU THIS.
TRY I WANT TO SHOW YOU THIS.
TRY TRY I WANT TO SHOW YOU THIS.
TRY TRY THAT. TRY TRY THAT. TRY TRY THAT.
>>HOST: TRY TRY THAT.
>>HOST: QUICKLY, TRY TRY THAT.
>>HOST: QUICKLY, >>HOST: >>HOST: QUICKLY, >>HOST: >>HOST: QUICKLY, >>HOST:
QUICKLY.
>>HOST: QUICKLY, >>HOST:
QUICKLY. TRUCK >>HOST: QUICKLY, >>HOST:
QUICKLY. TRUCK 5 >>HOST: QUICKLY, >>HOST:
QUICKLY. TRUCK 5 MIN. >>HOST: QUICKLY, >>HOST:
QUICKLY. TRUCK 5 MIN. OR QUICKLY. TRUCK 5 MIN. OR QUICKLY. TRUCK 5 MIN. OR
SELLOUT. QUICKLY. TRUCK 5 MIN. OR
SELLOUT. VERY QUICKLY. TRUCK 5 MIN. OR
SELLOUT. VERY VERY QUICKLY. TRUCK 5 MIN. OR
SELLOUT. VERY VERY BUSY. SELLOUT. VERY VERY BUSY. SELLOUT. VERY VERY BUSY.
FOLKS, SELLOUT. VERY VERY BUSY.
FOLKS, WE SELLOUT. VERY VERY BUSY.
FOLKS, WE DO SELLOUT. VERY VERY BUSY.
FOLKS, WE DO SEE SELLOUT. VERY VERY BUSY.
FOLKS, WE DO SEE YOU FOLKS, WE DO SEE YOU FOLKS, WE DO SEE YOU
THERE. FOLKS, WE DO SEE YOU
THERE. OVER FOLKS, WE DO SEE YOU
THERE. OVER 1000 FOLKS, WE DO SEE YOU
THERE. OVER 1000 PEOPLE THERE. OVER 1000 PEOPLE THERE. OVER 1000 PEOPLE
DIALING THERE. OVER 1000 PEOPLE
DIALING IN THERE. OVER 1000 PEOPLE
DIALING IN COUNTING. DIALING IN COUNTING.
DIALING IN COUNTING.
>>GUEST: DIALING IN COUNTING.
>>GUEST: YEP DIALING IN COUNTING.
>>GUEST: YEP WASTE DIALING IN COUNTING.
>>GUEST: YEP WASTE AND >>GUEST: YEP WASTE AND >>GUEST: YEP WASTE AND
YOU >>GUEST: YEP WASTE AND
YOU HAVE >>GUEST: YEP WASTE AND
YOU HAVE TO >>GUEST: YEP WASTE AND
YOU HAVE TO PAY >>GUEST: YEP WASTE AND
YOU HAVE TO PAY FOR >>GUEST: YEP WASTE AND
YOU HAVE TO PAY FOR IT, YOU HAVE TO PAY FOR IT, YOU HAVE TO PAY FOR IT,
AND YOU HAVE TO PAY FOR IT,
AND YOU YOU HAVE TO PAY FOR IT,
AND YOU KNOW YOU HAVE TO PAY FOR IT,
AND YOU KNOW WHAT YOU HAVE TO PAY FOR IT,
AND YOU KNOW WHAT YOUR AND YOU KNOW WHAT YOUR AND YOU KNOW WHAT YOUR
TASTE AND YOU KNOW WHAT YOUR
TASTE A AND YOU KNOW WHAT YOUR
TASTE A LOT? AND YOU KNOW WHAT YOUR
TASTE A LOT? I AND YOU KNOW WHAT YOUR
TASTE A LOT? I GOT AND YOU KNOW WHAT YOUR
TASTE A LOT? I GOT MY AND YOU KNOW WHAT YOUR
TASTE A LOT? I GOT MY TA TASTE A LOT? I GOT MY TA TASTE A LOT? I GOT MY TA
RUG TASTE A LOT? I GOT MY TA
RUG OF TASTE A LOT? I GOT MY TA
RUG OF 40% TASTE A LOT? I GOT MY TA
RUG OF 40% OFF, TASTE A LOT? I GOT MY TA
RUG OF 40% OFF, GOING TASTE A LOT? I GOT MY TA
RUG OF 40% OFF, GOING ON RUG OF 40% OFF, GOING ON RUG OF 40% OFF, GOING ON
SALE.
RUG OF 40% OFF, GOING ON
SALE. YOU RUG OF 40% OFF, GOING ON
SALE. YOU THINK RUG OF 40% OFF, GOING ON
SALE. YOU THINK IT RUG OF 40% OFF, GOING ON
SALE. YOU THINK IT WAS RUG OF 40% OFF, GOING ON
SALE. YOU THINK IT WAS S SALE. YOU THINK IT WAS S SALE. YOU THINK IT WAS S
ON SALE. YOU THINK IT WAS S
ON SALE? SALE. YOU THINK IT WAS S
ON SALE? IN SALE. YOU THINK IT WAS S
ON SALE? IN A SALE. YOU THINK IT WAS S
ON SALE? IN A PUT SALE. YOU THINK IT WAS S
ON SALE? IN A PUT ON ON SALE? IN A PUT ON ON SALE? IN A PUT ON
SALE! ON SALE? IN A PUT ON
SALE! ARE ON SALE? IN A PUT ON
SALE! ARE NOT ON SALE? IN A PUT ON
SALE! ARE NOT SILLY.
SALE! ARE NOT SILLY. SALE! ARE NOT SILLY.
SILLY.–THEY SALE! ARE NOT SILLY.
SILLY.–THEY ARE. SALE! ARE NOT SILLY.
SILLY.–THEY ARE. ALL SILLY.–THEY ARE. ALL SILLY.–THEY ARE. ALL
RIGHT, SILLY.–THEY ARE. ALL
RIGHT, FINE SILLY.–THEY ARE. ALL
RIGHT, FINE I SILLY.–THEY ARE. ALL
RIGHT, FINE I CUT SILLY.–THEY ARE. ALL
RIGHT, FINE I CUT IT. SILLY.–THEY ARE. ALL
RIGHT, FINE I CUT IT.
I RIGHT, FINE I CUT IT. I RIGHT, FINE I CUT IT. I
GOT RIGHT, FINE I CUT IT. I
GOT AN RIGHT, FINE I CUT IT. I
GOT AN LET'S RIGHT, FINE I CUT IT. I
GOT AN LET'S GO RIGHT, FINE I CUT IT. I
GOT AN LET'S GO AHEAD RIGHT, FINE I CUT IT. I
GOT AN LET'S GO AHEAD GO GOT AN LET'S GO AHEAD GO GOT AN LET'S GO AHEAD GO
AND GOT AN LET'S GO AHEAD GO
AND WE GOT AN LET'S GO AHEAD GO
AND WE ARE GOT AN LET'S GO AHEAD GO
AND WE ARE GOING GOT AN LET'S GO AHEAD GO
AND WE ARE GOING TO GOT AN LET'S GO AHEAD GO
AND WE ARE GOING TO PUT AND WE ARE GOING TO PUT AND WE ARE GOING TO PUT
THIS AND WE ARE GOING TO PUT
THIS ON, AND WE ARE GOING TO PUT
THIS ON, AN AND WE ARE GOING TO PUT
THIS ON, AN OLD AND WE ARE GOING TO PUT
THIS ON, AN OLD MAN! AND WE ARE GOING TO PUT
THIS ON, AN OLD MAN! NOW THIS ON, AN OLD MAN! NOW THIS ON, AN OLD MAN! NOW
I'VE THIS ON, AN OLD MAN! NOW
I'VE GOT THIS ON, AN OLD MAN! NOW
I'VE GOT TO THIS ON, AN OLD MAN! NOW
I'VE GOT TO TRIM THIS ON, AN OLD MAN! NOW
I'VE GOT TO TRIM IT! I'VE GOT TO TRIM IT! I'VE GOT TO TRIM IT!
>>HOST: I'VE GOT TO TRIM IT!
>>HOST: CUTS I'VE GOT TO TRIM IT!
>>HOST: CUTS A I'VE GOT TO TRIM IT!
>>HOST: CUTS A MORE.–CUT >>HOST: CUTS A MORE.–CUT >>HOST: CUTS A MORE.–CUT
SOME.
SOME. SOME.
>>GUEST: SOME.
>>GUEST: TRIM SOME.
>>GUEST: TRIM IT, SOME.
>>GUEST: TRIM IT, THIS SOME.
>>GUEST: TRIM IT, THIS > >>GUEST: TRIM IT, THIS > >>GUEST: TRIM IT, THIS >
IS >>GUEST: TRIM IT, THIS >
IS WHAT >>GUEST: TRIM IT, THIS >
IS WHAT THIS. >>GUEST: TRIM IT, THIS >
IS WHAT THIS. WHAT >>GUEST: TRIM IT, THIS >
IS WHAT THIS. WHAT IS IS WHAT THIS. WHAT IS IS WHAT THIS. WHAT IS
THAT? IS WHAT THIS. WHAT IS
THAT? IS IS WHAT THIS. WHAT IS
THAT? IS THIS IS WHAT THIS. WHAT IS
THAT? IS THIS COMING IS WHAT THIS. WHAT IS
THAT? IS THIS COMING OUT IS WHAT THIS. WHAT IS
THAT? IS THIS COMING OUT. THAT? IS THIS COMING OUT. THAT? IS THIS COMING OUT.
YOU THAT? IS THIS COMING OUT.
YOU ARE THAT? IS THIS COMING OUT.
YOU ARE LEAKING. YOU ARE LEAKING. YOU ARE LEAKING.
[LAUGHTER] [LAUGHTER] [LAUGHTER]
[LAUGHTER] [LAUGHTER]
[LAUGHTER] >>HOST: [LAUGHTER] >>HOST: [LAUGHTER] >>HOST:
LENGTH. LENGTH. LENGTH.
>>GUEST: LENGTH.
>>GUEST: THIS LENGTH.
>>GUEST: THIS IS LENGTH.
>>GUEST: THIS IS AN LENGTH.
>>GUEST: THIS IS AN ISSUE >>GUEST: THIS IS AN ISSUE >>GUEST: THIS IS AN ISSUE
ISSUE.
>>GUEST: THIS IS AN ISSUE
ISSUE. WHY? >>GUEST: THIS IS AN ISSUE
ISSUE. WHY? THE >>GUEST: THIS IS AN ISSUE
ISSUE. WHY? THE ZONE >>GUEST: THIS IS AN ISSUE
ISSUE. WHY? THE ZONE 2 ISSUE. WHY? THE ZONE 2 ISSUE. WHY? THE ZONE 2
PIECES. ISSUE. WHY? THE ZONE 2
PIECES. THESE ISSUE. WHY? THE ZONE 2
PIECES. THESE ARE ISSUE. WHY? THE ZONE 2
PIECES.
THESE ARE 2 PIECES. THESE ARE 2 PIECES. THESE ARE 2
PIECES, PIECES. THESE ARE 2
PIECES, SO PIECES. THESE ARE 2
PIECES, SO INSTEAD PIECES. THESE ARE 2
PIECES, SO INSTEAD OF PIECES. THESE ARE 2
PIECES, SO INSTEAD OF PI PIECES, SO INSTEAD OF PI PIECES, SO INSTEAD OF PI
ALL PIECES, SO INSTEAD OF PI
ALL OF PIECES, SO INSTEAD OF PI
ALL OF THIS– PIECES, SO INSTEAD OF PI
ALL OF THIS– THESE PIECES, SO INSTEAD OF PI
ALL OF THIS– THESE ARE, ALL OF THIS– THESE ARE, ALL OF THIS– THESE ARE,
ALL ALL OF THIS– THESE ARE,
ALL YOU ALL OF THIS– THESE ARE,
ALL YOU HAVE ALL OF THIS– THESE ARE,
ALL YOU HAVE TO ALL OF THIS– THESE ARE,
ALL YOU HAVE TO DID ALL OF THIS– THESE ARE,
ALL YOU HAVE TO DID YOU ALL YOU HAVE TO DID YOU ALL YOU HAVE TO DID YOU
PUT ALL YOU HAVE TO DID YOU
PUT >>HOST: ALL YOU HAVE TO DID YOU
PUT >>HOST: ARE ALL YOU HAVE TO DID YOU
PUT >>HOST: ARE YOU PUT >>HOST: ARE YOU PUT >>HOST: ARE YOU
DOING? DOING? DOING?
>>GUEST: DOING?
>>GUEST: FREE– >>GUEST: FREE– >>GUEST: FREE–
PRETREATED >>GUEST: FREE–
PRETREATED FOUR, >>GUEST: FREE–
PRETREATED FOUR, FIVE PRETREATED FOUR, FIVE PRETREATED FOUR, FIVE
HOURS, PRETREATED FOUR, FIVE
HOURS, THAT PRETREATED FOUR, FIVE
HOURS, THAT IT.
PRETREATED FOUR, FIVE
HOURS, THAT IT. LOOK PRETREATED FOUR, FIVE
HOURS, THAT IT. LOOK AT HOURS, THAT IT. LOOK AT HOURS, THAT IT. LOOK AT
THAT. HOURS, THAT IT. LOOK AT
THAT. NOTHING. HOURS, THAT IT. LOOK AT
THAT. NOTHING. YOU'RE HOURS, THAT IT. LOOK AT
THAT. NOTHING. YOU'RE TH THAT. NOTHING. YOU'RE TH THAT. NOTHING. YOU'RE TH
NOT THAT. NOTHING. YOU'RE TH
NOT MOVING THAT. NOTHING. YOU'RE TH
NOT MOVING ANYWHERE, THAT. NOTHING. YOU'RE TH
NOT MOVING ANYWHERE, AND NOT MOVING ANYWHERE, AND NOT MOVING ANYWHERE, AND
IT NOT MOVING ANYWHERE, AND
IT IS NOT MOVING ANYWHERE, AND
IT IS THAT NOT MOVING ANYWHERE, AND
IT IS THAT EASY NOT MOVING ANYWHERE, AND
IT IS THAT EASY TO NOT MOVING ANYWHERE, AND
IT IS THAT EASY TO USE. IT IS THAT EASY TO USE. IT IS THAT EASY TO USE.
NOW IT IS THAT EASY TO USE.
NOW I IT IS THAT EASY TO USE.
NOW I WANT IT IS THAT EASY TO USE.
NOW I WANT TO IT IS THAT EASY TO USE.
NOW I WANT TO COME IT IS THAT EASY TO USE.
NOW I WANT TO COME OVER NOW I WANT TO COME OVER NOW I WANT TO COME OVER
HERE NOW I WANT TO COME OVER
HERE AND NOW I WANT TO COME OVER
HERE AND I NOW I WANT TO COME OVER
HERE AND I WANT NOW I WANT TO COME OVER
HERE AND I WANT TO NOW I WANT TO COME OVER
HERE AND I WANT TO MAKE HERE AND I WANT TO MAKE HERE AND I WANT TO MAKE
SURE(…) HERE AND I WANT TO MAKE
SURE(…) >>HOST: HERE AND I WANT TO MAKE
SURE(…) >>HOST: SURE( SURE(…) >>HOST: SURE( SURE(…) >>HOST: SURE(
FOLKS, SURE(…) >>HOST: SURE(
FOLKS, LET SURE(…) >>HOST: SURE(
FOLKS, LET ME SURE(…) >>HOST: SURE(
FOLKS, LET ME SHOW SURE(…) >>HOST: SURE(
FOLKS, LET ME SHOW YOU FOLKS, LET ME SHOW YOU FOLKS, LET ME SHOW YOU
THIS FOLKS, LET ME SHOW YOU
THIS FOR FOLKS, LET ME SHOW YOU
THIS FOR A FOLKS, LET ME SHOW YOU
THIS FOR A SECOND.
THIS FOR A SECOND. THIS FOR A SECOND.
>>GUEST: THIS FOR A SECOND.
>>GUEST: OKAY THIS FOR A SECOND.
>>GUEST: OKAY PETE >>GUEST: OKAY PETE >>GUEST: OKAY PETE
>>HOST: >>GUEST: OKAY PETE
>>HOST: HERE'S >>GUEST: OKAY PETE
>>HOST: HERE'S A >>GUEST: OKAY PETE
>>HOST: HERE'S A WE'RE >>HOST: HERE'S A WE'RE >>HOST: HERE'S A WE'RE
GOING >>HOST: HERE'S A WE'RE
GOING TO >>HOST: HERE'S A WE'RE
GOING TO DO >>HOST: HERE'S A WE'RE
GOING TO DO RIGHT >>HOST: HERE'S A WE'RE
GOING TO DO RIGHT NOW.
GOING TO DO RIGHT NOW. GOING TO DO RIGHT NOW.
THIS GOING TO DO RIGHT NOW.
THIS ISN'T GOING TO DO RIGHT NOW.
THIS ISN'T GOING THIS ISN'T GOING THIS ISN'T GOING
ANYWHERE! ANYWHERE! ANYWHERE!
>>GUEST: ANYWHERE!
>>GUEST: [LAUGHTER] >>GUEST: [LAUGHTER] >>GUEST: [LAUGHTER]
>>HOST: >>GUEST: [LAUGHTER]
>>HOST: THIS >>GUEST: [LAUGHTER]
>>HOST: THIS IS >>GUEST: [LAUGHTER]
>>HOST: THIS IS ONE >>GUEST: [LAUGHTER]
>>HOST: THIS IS ONE OF >>HOST: THIS IS ONE OF >>HOST: THIS IS ONE OF
THOSE >>HOST: THIS IS ONE OF
THOSE PRODUCTS >>HOST: THIS IS ONE OF
THOSE PRODUCTS WHERE THOSE PRODUCTS WHERE THOSE PRODUCTS WHERE
EVERYBODY THOSE PRODUCTS WHERE
EVERYBODY WATCHING THOSE PRODUCTS WHERE
EVERYBODY WATCHING CAN EVERYBODY WATCHING CAN EVERYBODY WATCHING CAN
SEE EVERYBODY WATCHING CAN
SEE THE EVERYBODY WATCHING CAN
SEE THE NEED EVERYBODY WATCHING CAN
SEE THE NEED FOR EVERYBODY WATCHING CAN
SEE THE NEED FOR IT.
SEE THE NEED FOR IT. SEE THE NEED FOR IT.
YVETTE SEE THE NEED FOR IT.
YVETTE LOPEZ, SEE THE NEED FOR IT.
YVETTE LOPEZ, IS SEE THE NEED FOR IT.
YVETTE LOPEZ, IS ONE SEE THE NEED FOR IT.
YVETTE LOPEZ, IS ONE OF YVETTE LOPEZ, IS ONE OF YVETTE LOPEZ, IS ONE OF
THOSE YVETTE LOPEZ, IS ONE OF
THOSE YOU YVETTE LOPEZ, IS ONE OF
THOSE YOU JUST YVETTE LOPEZ, IS ONE OF
THOSE YOU JUST GOT YVETTE LOPEZ, IS ONE OF
THOSE YOU JUST GOT TO THOSE YOU JUST GOT TO THOSE YOU JUST GOT TO
HAVE, THOSE YOU JUST GOT TO
HAVE, AND THOSE YOU JUST GOT TO
HAVE, AND PLEASE HAVE, AND PLEASE HAVE, AND PLEASE
UNDERSTAND.
UNDERSTAND. UNDERSTAND.
>>GUEST: UNDERSTAND.
>>GUEST: RIGHT. >>GUEST: RIGHT. >>GUEST: RIGHT.
>>HOST: >>GUEST: RIGHT.
>>HOST: WHEN >>GUEST: RIGHT.
>>HOST: WHEN YOU >>GUEST: RIGHT.
>>HOST: WHEN YOU HAVE >>GUEST: RIGHT.
>>HOST: WHEN YOU HAVE > >>HOST: WHEN YOU HAVE > >>HOST: WHEN YOU HAVE >
IT >>HOST: WHEN YOU HAVE >
IT IT'S >>HOST: WHEN YOU HAVE >
IT IT'S GOING >>HOST: WHEN YOU HAVE >
IT IT'S GOING TO >>HOST: WHEN YOU HAVE >
IT IT'S GOING TO MATCH >>HOST: WHEN YOU HAVE >
IT IT'S GOING TO MATCH A IT IT'S GOING TO MATCH A IT IT'S GOING TO MATCH A
WHILE IT IT'S GOING TO MATCH A
WHILE BECAUSE IT IT'S GOING TO MATCH A
WHILE BECAUSE TO IT IT'S GOING TO MATCH A
WHILE BECAUSE TO JUMBO WHILE BECAUSE TO JUMBO WHILE BECAUSE TO JUMBO
SIZE WHILE BECAUSE TO JUMBO
SIZE BOTTLE.
SIZE BOTTLE. SIZE BOTTLE.
>>GUEST: SIZE BOTTLE.
>>GUEST: THAT SIZE BOTTLE.
>>GUEST: THAT THE SIZE BOTTLE.
>>GUEST: THAT THE >>GUES >>GUEST: THAT THE >>GUES >>GUEST: THAT THE >>GUES
CLOSEST >>GUEST: THAT THE >>GUES
CLOSEST HSN. CLOSEST HSN. CLOSEST HSN.
>>HOST: CLOSEST HSN.
>>HOST: YES! >>HOST: YES! >>HOST: YES!
>>GUEST: >>HOST: YES!
>>GUEST: THAT'S >>GUEST: THAT'S >>GUEST: THAT'S
ABSOLUTELY >>GUEST: THAT'S
ABSOLUTELY EXCLUSIVE. >>GUEST: THAT'S
ABSOLUTELY EXCLUSIVE. I ABSOLUTELY EXCLUSIVE. I ABSOLUTELY EXCLUSIVE. I
AM ABSOLUTELY EXCLUSIVE. I
AM IN ABSOLUTELY EXCLUSIVE. I
AM IN MY ABSOLUTELY EXCLUSIVE. I
AM IN MY DAUGHTER'S ABSOLUTELY EXCLUSIVE. I
AM IN MY DAUGHTER'S AM ABSOLUTELY EXCLUSIVE. I
AM IN MY DAUGHTER'S AM I AM IN MY DAUGHTER'S AM I AM IN MY DAUGHTER'S AM I
ROOM.
AM IN MY DAUGHTER'S AM I
ROOM. SHIFTING AM IN MY DAUGHTER'S AM I
ROOM. SHIFTING CARPET, ROOM. SHIFTING CARPET, ROOM. SHIFTING CARPET,
AND ROOM. SHIFTING CARPET,
AND I ROOM. SHIFTING CARPET,
AND I HAVE ROOM. SHIFTING CARPET,
AND I HAVE ONE.–SHE ROOM. SHIFTING CARPET,
AND I HAVE ONE.–SHE HAS AND I HAVE ONE.–SHE HAS AND I HAVE ONE.–SHE HAS
PINK. AND I HAVE ONE.–SHE HAS
PINK. THIS AND I HAVE ONE.–SHE HAS
PINK. THIS ONE AND I HAVE ONE.–SHE HAS
PINK. THIS ONE IS PINK. THIS ONE IS PINK. THIS ONE IS
PRETREATED, PINK. THIS ONE IS
PRETREATED, THIS PINK. THIS ONE IS
PRETREATED, THIS ONE PINK. THIS ONE IS
PRETREATED, THIS ONE IS PRETREATED, THIS ONE IS PRETREATED, THIS ONE IS
NOT. PRETREATED, THIS ONE IS
NOT. WHAT PRETREATED, THIS ONE IS
NOT. WHAT IF PRETREATED, THIS ONE IS
NOT. WHAT IF SHE(…) PRETREATED, THIS ONE IS
NOT. WHAT IF SHE(…) N NOT. WHAT IF SHE(…) N NOT. WHAT IF SHE(…) N
IF NOT.
WHAT IF SHE(…) N
IF YOU NOT. WHAT IF SHE(…) N
IF YOU HAVE NOT. WHAT IF SHE(…) N
IF YOU HAVE A NOT. WHAT IF SHE(…) N
IF YOU HAVE A KID, NOT. WHAT IF SHE(…) N
IF YOU HAVE A KID, IF NOT. WHAT IF SHE(…) N
IF YOU HAVE A KID, IF YO IF YOU HAVE A KID, IF YO IF YOU HAVE A KID, IF YO
YOU'RE IF YOU HAVE A KID, IF YO
YOU'RE GOING IF YOU HAVE A KID, IF YO
YOU'RE GOING TO IF YOU HAVE A KID, IF YO
YOU'RE GOING TO DID IF YOU HAVE A KID, IF YO
YOU'RE GOING TO DID NOT YOU'RE GOING TO DID NOT YOU'RE GOING TO DID NOT
MEET YOU'RE GOING TO DID NOT
MEET ACTUALLY.– YOU'RE GOING TO DID NOT
MEET ACTUALLY.– IS MEET ACTUALLY.– IS MEET ACTUALLY.– IS
EXCLUSIVE MEET ACTUALLY.– IS
EXCLUSIVE TO.
MEET ACTUALLY.– IS
EXCLUSIVE TO. HAVE MEET ACTUALLY.– IS
EXCLUSIVE TO. HAVE YOU EXCLUSIVE TO. HAVE YOU EXCLUSIVE TO. HAVE YOU
EVER EXCLUSIVE TO. HAVE YOU
EVER TRY EXCLUSIVE TO. HAVE YOU
EVER TRY TO EXCLUSIVE TO. HAVE YOU
EVER TRY TO VACUUM EVER TRY TO VACUUM EVER TRY TO VACUUM
SOMETHING? EVER TRY TO VACUUM
SOMETHING? I EVER TRY TO VACUUM
SOMETHING? I NEED EVER TRY TO VACUUM
SOMETHING? I NEED TO SOMETHING? I NEED TO SOMETHING? I NEED TO
VACUUM SOMETHING? I NEED TO
VACUUM THIS. VACUUM THIS. [BACKGROUND [BACKGROUND NOISE] >>GUEST: >>GUEST: HERE >>GUEST: HERE WE >>GUEST: HERE WE GO, >>GUEST: HERE WE GO, >> >>GUEST: HERE WE GO, >>
OH, >>GUEST: HERE WE GO, >>
OH, NO! >>GUEST: HERE WE GO, >>
OH, NO! ALL >>GUEST: HERE WE GO, >>
OH, NO! ALL MAN! >>GUEST: HERE WE GO, >>
OH, NO! ALL MAN! >>HOST: OH, NO! ALL MAN! >>HOST: OH, NO! ALL MAN! >>HOST:
CAN'T OH, NO! ALL MAN! >>HOST:
CAN'T GET OH, NO! ALL MAN! >>HOST:
CAN'T GET THE OH, NO! ALL MAN! >>HOST:
CAN'T GET THE RUG OH, NO! ALL MAN! >>HOST:
CAN'T GET THE RUG OFF.
CAN'T GET THE RUG OFF. CAN'T GET THE RUG OFF.
>>GUEST: CAN'T GET THE RUG OFF.
>>GUEST: I CAN'T GET THE RUG OFF.
>>GUEST: I CAN'T CAN'T GET THE RUG OFF.
>>GUEST: I CAN'T EVEN(… >>GUEST: I CAN'T EVEN(… >>GUEST: I CAN'T EVEN(…
EVEN(…) >>GUEST: I CAN'T EVEN(…
EVEN(…) THAT >>GUEST: I CAN'T EVEN(…
EVEN(…) THAT IS >>GUEST: I CAN'T EVEN(…
EVEN(…) THAT IS NO EVEN(…) THAT IS NO EVEN(…) THAT IS NO
GOOD. GOOD. GOOD.
>>HOST: GOOD.
>>HOST: YOU GOOD.
>>HOST: YOU DON'T GOOD.
>>HOST: YOU DON'T WANT GOOD.
>>HOST: YOU DON'T WANT > >>HOST: YOU DON'T WANT > >>HOST: YOU DON'T WANT >
TO >>HOST: YOU DON'T WANT >
TO WRESTLE >>HOST: YOU DON'T WANT >
TO WRESTLE WITH >>HOST: YOU DON'T WANT >
TO WRESTLE WITH IT TO WRESTLE WITH IT TO WRESTLE WITH IT
ANYMORE.
ANYMORE. ANYMORE.
>>GUEST: ANYMORE.
>>GUEST: BUT ANYMORE.
>>GUEST: BUT YOU ANYMORE.
>>GUEST: BUT YOU KNOW >>GUEST: BUT YOU KNOW >>GUEST: BUT YOU KNOW
WHAT? >>GUEST: BUT YOU KNOW
WHAT? IS >>GUEST: BUT YOU KNOW
WHAT? IS ONE >>GUEST: BUT YOU KNOW
WHAT? IS ONE STAYS >>GUEST: BUT YOU KNOW
WHAT? IS ONE STAYS IN WHAT? IS ONE STAYS IN WHAT? IS ONE STAYS IN
PLACE.–THIS.
WHAT? IS ONE STAYS IN
PLACE.–THIS. IT WHAT? IS ONE STAYS IN
PLACE.–THIS. IT STAYS PLACE.–THIS. IT STAYS PLACE.–THIS. IT STAYS
RIGHT PLACE.–THIS. IT STAYS
RIGHT IN PLACE.–THIS. IT STAYS
RIGHT IN PLACE, PLACE.–THIS. IT STAYS
RIGHT IN PLACE, AND PLACE.–THIS. IT STAYS
RIGHT IN PLACE, AND YOU RIGHT IN PLACE, AND YOU RIGHT IN PLACE, AND YOU
CAN RIGHT IN PLACE, AND YOU
CAN TAKE RIGHT IN PLACE, AND YOU
CAN TAKE THIS RIGHT IN PLACE, AND YOU
CAN TAKE THIS AND RIGHT IN PLACE, AND YOU
CAN TAKE THIS AND MOVE RIGHT IN PLACE, AND YOU
CAN TAKE THIS AND MOVE C CAN TAKE THIS AND MOVE C CAN TAKE THIS AND MOVE C
IT CAN TAKE THIS AND MOVE C
IT SOMEWHERE CAN TAKE THIS AND MOVE C
IT SOMEWHERE ELSE.
CAN TAKE THIS AND MOVE C
IT SOMEWHERE ELSE. ALL IT SOMEWHERE ELSE. ALL IT SOMEWHERE ELSE. ALL
YOU IT SOMEWHERE ELSE. ALL
YOU DO IT SOMEWHERE ELSE. ALL
YOU DO IS IT SOMEWHERE ELSE. ALL
YOU DO IS PUT IT SOMEWHERE ELSE. ALL
YOU DO IS PUT IT IT SOMEWHERE ELSE. ALL
YOU DO IS PUT IT DOWN, YOU DO IS PUT IT DOWN, YOU DO IS PUT IT DOWN,
AND YOU DO IS PUT IT DOWN,
AND THAT'S YOU DO IS PUT IT DOWN,
AND THAT'S IT.
YOU DO IS PUT IT DOWN,
AND THAT'S IT. EVERYBODY AND THAT'S IT. EVERYBODY AND THAT'S IT. EVERYBODY
EVERYBODY(…) AND THAT'S IT. EVERYBODY
EVERYBODY(…) THIS AND THAT'S IT. EVERYBODY
EVERYBODY(…) THIS IS EVERYBODY(…) THIS IS EVERYBODY(…) THIS IS
SOMETHING(…) EVERYBODY(…) THIS IS
SOMETHING(…) WHEN EVERYBODY(…) THIS IS
SOMETHING(…) WHEN I SOMETHING(…) WHEN I SOMETHING(…) WHEN I
FIRST SOMETHING(…) WHEN I
FIRST GOT SOMETHING(…) WHEN I
FIRST GOT THIS SOMETHING(…) WHEN I
FIRST GOT THIS PRODUCT, FIRST GOT THIS PRODUCT, FIRST GOT THIS PRODUCT,
I FIRST GOT THIS PRODUCT,
I GOT FIRST GOT THIS PRODUCT,
I GOT RID FIRST GOT THIS PRODUCT,
I GOT RID OF FIRST GOT THIS PRODUCT,
I GOT RID OF ALL FIRST GOT THIS PRODUCT,
I GOT RID OF ALL MY FIRST GOT THIS PRODUCT,
I GOT RID OF ALL MY RED I GOT RID OF ALL MY RED I GOT RID OF ALL MY RED
HAT. I GOT RID OF ALL MY RED
HAT. I I GOT RID OF ALL MY RED
HAT. I WENT, I GOT RID OF ALL MY RED
HAT. I WENT, THREW I GOT RID OF ALL MY RED
HAT. I WENT, THREW THEM HAT.
I WENT, THREW THEM HAT. I WENT, THREW THEM
ALL HAT. I WENT, THREW THEM
ALL OUT, HAT. I WENT, THREW THEM
ALL OUT, PUT HAT. I WENT, THREW THEM
ALL OUT, PUT THEM HAT. I WENT, THREW THEM
ALL OUT, PUT THEM IN HAT. I WENT, THREW THEM
ALL OUT, PUT THEM IN THE ALL OUT, PUT THEM IN THE ALL OUT, PUT THEM IN THE
BACK ALL OUT, PUT THEM IN THE
BACK OF ALL OUT, PUT THEM IN THE
BACK OF EVERYTHING, ALL OUT, PUT THEM IN THE
BACK OF EVERYTHING, IN BACK OF EVERYTHING, IN BACK OF EVERYTHING, IN
AGAIN BACK OF EVERYTHING, IN
AGAIN THERE BACK OF EVERYTHING, IN
AGAIN THERE IS.
BACK OF EVERYTHING, IN
AGAIN THERE IS. BEAUTY AGAIN THERE IS. BEAUTY AGAIN THERE IS. BEAUTY
GIFT AGAIN THERE IS. BEAUTY
GIFT THE AGAIN THERE IS. BEAUTY
GIFT THE MOLECULAR GIFT THE MOLECULAR GIFT THE MOLECULAR
BONDING GIFT THE MOLECULAR
BONDING TECHNOLOGY. GIFT THE MOLECULAR
BONDING TECHNOLOGY. YOU BONDING TECHNOLOGY. YOU BONDING TECHNOLOGY. YOU
SPRAY BONDING TECHNOLOGY. YOU
SPRAY ON, BONDING TECHNOLOGY. YOU
SPRAY ON, LEAVE BONDING TECHNOLOGY. YOU
SPRAY ON, LEAVE IT BONDING TECHNOLOGY. YOU
SPRAY ON, LEAVE IT FOUR, SPRAY ON, LEAVE IT FOUR, SPRAY ON, LEAVE IT FOUR,
FIVE SPRAY ON, LEAVE IT FOUR,
FIVE HOURS, SPRAY ON, LEAVE IT FOUR,
FIVE HOURS, LET SPRAY ON, LEAVE IT FOUR,
FIVE HOURS, LET IT SPRAY ON, LEAVE IT FOUR,
FIVE HOURS, LET IT DRY.
FIVE HOURS, LET IT DRY. FIVE HOURS, LET IT DRY.
IT FIVE HOURS, LET IT DRY.
IT DRIES FIVE HOURS, LET IT DRY.
IT DRIES 100% FIVE HOURS, LET IT DRY.
IT DRIES 100% CLEAR.–IS FIVE HOURS, LET IT DRY.
IT DRIES 100% CLEAR.–IS. IT DRIES 100% CLEAR.–IS. IT DRIES 100% CLEAR.–IS.
IT IT DRIES 100% CLEAR.–IS.
IT WILL IT DRIES 100% CLEAR.–IS.
IT WILL BE IT DRIES 100% CLEAR.–IS.
IT WILL BE SAFE IT DRIES 100% CLEAR.–IS.
IT WILL BE SAFE FOR IT DRIES 100% CLEAR.–IS.
IT WILL BE SAFE FOR ANY IT WILL BE SAFE FOR ANY IT WILL BE SAFE FOR ANY
TYPE IT WILL BE SAFE FOR ANY
TYPE OF IT WILL BE SAFE FOR ANY
TYPE OF RUG IT WILL BE SAFE FOR ANY
TYPE OF RUG THAT IT WILL BE SAFE FOR ANY
TYPE OF RUG THAT YOU IT WILL BE SAFE FOR ANY
TYPE OF RUG THAT YOU TYP TYPE OF RUG THAT YOU TYP TYPE OF RUG THAT YOU TYP
USE, TYPE OF RUG THAT YOU TYP
USE, ANY TYPE OF RUG THAT YOU TYP
USE, ANY FLOORING.
TYPE OF RUG THAT YOU TYP
USE, ANY FLOORING. IT USE, ANY FLOORING. IT USE, ANY FLOORING. IT
WILL USE, ANY FLOORING. IT
WILL NOT USE, ANY FLOORING. IT
WILL NOT HARM USE, ANY FLOORING. IT
WILL NOT HARM YOUR WILL NOT HARM YOUR WILL NOT HARM YOUR
4-TITLE.–FLOOR WILL NOT HARM YOUR
4-TITLE.–FLOOR AT WILL NOT HARM YOUR
4-TITLE.–FLOOR AT ALL. 4-TITLE.–FLOOR AT ALL. 4-TITLE.–FLOOR AT ALL.
THROW 4-TITLE.–FLOOR AT ALL.
THROW IN 4-TITLE.–FLOOR AT ALL.
THROW IN THE 4-TITLE.–FLOOR AT ALL.
THROW IN THE WASHING THROW IN THE WASHING THROW IN THE WASHING
MACHINE, THROW IN THE WASHING
MACHINE, JUST THROW IN THE WASHING
MACHINE, JUST LIKE THROW IN THE WASHING
MACHINE, JUST LIKE YOU MACHINE, JUST LIKE YOU MACHINE, JUST LIKE YOU
WOULD.
MACHINE, JUST LIKE YOU
WOULD. I MACHINE, JUST LIKE YOU
WOULD. I WAS MACHINE, JUST LIKE YOU
WOULD. I WAS GOING MACHINE, JUST LIKE YOU
WOULD. I WAS GOING TO WOULD. I WAS GOING TO WOULD. I WAS GOING TO
SHOW WOULD. I WAS GOING TO
SHOW YOU, WOULD. I WAS GOING TO
SHOW YOU, I WOULD. I WAS GOING TO
SHOW YOU, I HAVE WOULD. I WAS GOING TO
SHOW YOU, I HAVE A WOULD. I WAS GOING TO
SHOW YOU, I HAVE A RUG SHOW YOU, I HAVE A RUG SHOW YOU, I HAVE A RUG
HERE SHOW YOU, I HAVE A RUG
HERE THAT SHOW YOU, I HAVE A RUG
HERE THAT I SHOW YOU, I HAVE A RUG
HERE THAT I CAN SHOW YOU, I HAVE A RUG
HERE THAT I CAN SPREAD SHOW YOU, I HAVE A RUG
HERE THAT I CAN SPREAD H HERE THAT I CAN SPREAD H HERE THAT I CAN SPREAD H
TO HERE THAT I CAN SPREAD H
TO SHOW HERE THAT I CAN SPREAD H
TO SHOW YOU HERE THAT I CAN SPREAD H
TO SHOW YOU HAVE HERE THAT I CAN SPREAD H
TO SHOW YOU HAVE EASY TO SHOW YOU HAVE EASY TO SHOW YOU HAVE EASY
>>HOST: TO SHOW YOU HAVE EASY
>>HOST: GOOD.
>>HOST: GOOD. >>HOST: GOOD.
>>GUEST: >>HOST: GOOD.
>>GUEST: OBVIOUSLY >>HOST: GOOD.
>>GUEST: OBVIOUSLY ALL >>GUEST: OBVIOUSLY ALL >>GUEST: OBVIOUSLY ALL
THE >>GUEST: OBVIOUSLY ALL
THE ONES >>GUEST: OBVIOUSLY ALL
THE ONES I >>GUEST: OBVIOUSLY ALL
THE ONES I HAD >>GUEST: OBVIOUSLY ALL
THE ONES I HAD HERE, >>GUEST: OBVIOUSLY ALL
THE ONES I HAD HERE, I THE ONES I HAD HERE, I THE ONES I HAD HERE, I
HAD THE ONES I HAD HERE, I
HAD TO THE ONES I HAD HERE, I
HAD TO PRETREAT THE ONES I HAD HERE, I
HAD TO PRETREAT BECAUSE HAD TO PRETREAT BECAUSE HAD TO PRETREAT BECAUSE
IT HAD TO PRETREAT BECAUSE
IT DOES HAD TO PRETREAT BECAUSE
IT DOES TAKE HAD TO PRETREAT BECAUSE
IT DOES TAKE THE HAD TO PRETREAT BECAUSE
IT DOES TAKE THE FOUR HAD TO PRETREAT BECAUSE
IT DOES TAKE THE FOUR OR IT DOES TAKE THE FOUR OR IT DOES TAKE THE FOUR OR
FIVE IT DOES TAKE THE FOUR OR
FIVE HOURS IT DOES TAKE THE FOUR OR
FIVE HOURS.
IT DOES TAKE THE FOUR OR
FIVE HOURS. YOU IT DOES TAKE THE FOUR OR
FIVE HOURS. YOU GET IT DOES TAKE THE FOUR OR
FIVE HOURS. YOU GET YOUR FIVE HOURS. YOU GET YOUR FIVE HOURS. YOU GET YOUR
CARPET, FIVE HOURS. YOU GET YOUR
CARPET, SHAKE FIVE HOURS. YOU GET YOUR
CARPET, SHAKE THIS FIVE HOURS. YOU GET YOUR
CARPET, SHAKE THIS UP FIVE HOURS. YOU GET YOUR
CARPET, SHAKE THIS UP CA CARPET, SHAKE THIS UP CA CARPET, SHAKE THIS UP CA
YOU CARPET, SHAKE THIS UP CA
YOU >>HOST: CARPET, SHAKE THIS UP CA
YOU >>HOST: WE CARPET, SHAKE THIS UP CA
YOU >>HOST: WE NEED CARPET, SHAKE THIS UP CA
YOU >>HOST: WE NEED TO YOU >>HOST: WE NEED TO YOU >>HOST: WE NEED TO
QUICKLY YOU >>HOST: WE NEED TO
QUICKLY SPEAK YOU >>HOST: WE NEED TO
QUICKLY SPEAK TO YOU >>HOST: WE NEED TO
QUICKLY SPEAK TO OUR QUICKLY SPEAK TO OUR QUICKLY SPEAK TO OUR
INSIDER QUICKLY SPEAK TO OUR
INSIDER BECAUSE QUICKLY SPEAK TO OUR
INSIDER BECAUSE JAMISON.
INSIDER BECAUSE JAMISON. INSIDER BECAUSE JAMISON.
>>GUEST: INSIDER BECAUSE JAMISON.
>>GUEST: CAN INSIDER BECAUSE JAMISON.
>>GUEST: CAN I INSIDER BECAUSE JAMISON.
>>GUEST: CAN I DO INSIDER BECAUSE JAMISON.
>>GUEST: CAN I DO THAT? >>GUEST: CAN I DO THAT? >>GUEST: CAN I DO THAT?
>>HOST: >>GUEST: CAN I DO THAT?
>>HOST: DAMASCENA >>HOST: DAMASCENA >>HOST: DAMASCENA
SLACKWARE >>HOST: DAMASCENA
SLACKWARE THAT. >>HOST: DAMASCENA
SLACKWARE THAT. JAMISON, SLACKWARE THAT. JAMISON, SLACKWARE THAT. JAMISON,
WELCOME SLACKWARE THAT. JAMISON,
WELCOME BACK SLACKWARE THAT. JAMISON,
WELCOME BACK TO SLACKWARE THAT. JAMISON,
WELCOME BACK TO THE SLACKWARE THAT. JAMISON,
WELCOME BACK TO THE SHOW WELCOME BACK TO THE SHOW WELCOME BACK TO THE SHOW
WOULD'VE. WOULD'VE. WOULD'VE.
>>CALLER: WOULD'VE.
>>CALLER: GREAT, WOULD'VE.
>>CALLER: GREAT, ADAM >>CALLER: GREAT, ADAM >>CALLER: GREAT, ADAM
FREEMAN.
>>CALLER: GREAT, ADAM
FREEMAN. >>HOST: >>CALLER: GREAT, ADAM
FREEMAN. >>HOST: YOUR FREEMAN. >>HOST: YOUR FREEMAN. >>HOST: YOUR
INPUT FREEMAN. >>HOST: YOUR
INPUT ON FREEMAN. >>HOST: YOUR
INPUT ON THIS. FREEMAN. >>HOST: YOUR
INPUT ON THIS. WAS FREEMAN. >>HOST: YOUR
INPUT ON THIS. WAS USING INPUT ON THIS. WAS USING INPUT ON THIS. WAS USING
TO INPUT ON THIS. WAS USING
TO LIQUID INPUT ON THIS. WAS USING
TO LIQUID HOLD? TO LIQUID HOLD? TO LIQUID HOLD?
TO TO LIQUID HOLD?
TO LIQUID TO LIQUID HOLD?
TO LIQUID HOLD? TO LIQUID HOLD? TO LIQUID HOLD?
>>CALLER: TO LIQUID HOLD?
>>CALLER: AMAZING.
TO LIQUID HOLD?
>>CALLER: AMAZING. I TO LIQUID HOLD?
>>CALLER: AMAZING. I AM >>CALLER: AMAZING. I AM >>CALLER: AMAZING. I AM
6 >>CALLER: AMAZING. I AM
6 DOGS >>CALLER: AMAZING. I AM
6 DOGS THAT >>CALLER: AMAZING. I AM
6 DOGS THAT YOU >>CALLER: AMAZING. I AM
6 DOGS THAT YOU KNOW.– 6 DOGS THAT YOU KNOW.– 6 DOGS THAT YOU KNOW.–
JAMISON. JAMISON. JAMISON.
>>HOST: JAMISON.
>>HOST: [LAUGHTER] >>HOST: [LAUGHTER] >>HOST: [LAUGHTER]
>>CALLER: >>HOST: [LAUGHTER]
>>CALLER: IT >>HOST: [LAUGHTER]
>>CALLER: IT IS >>HOST: [LAUGHTER]
>>CALLER: IT IS NICE >>HOST: [LAUGHTER]
>>CALLER: IT IS NICE TO >>CALLER: IT IS NICE TO >>CALLER: IT IS NICE TO
GET >>CALLER: IT IS NICE TO
GET HOME >>CALLER: IT IS NICE TO
GET HOME FROM >>CALLER: IT IS NICE TO
GET HOME FROM WORK >>CALLER: IT IS NICE TO
GET HOME FROM WORK AND GET HOME FROM WORK AND GET HOME FROM WORK AND
NOT GET HOME FROM WORK AND
NOT HAVE GET HOME FROM WORK AND
NOT HAVE ALL GET HOME FROM WORK AND
NOT HAVE ALL THE GET HOME FROM WORK AND
NOT HAVE ALL THE RUGS GET HOME FROM WORK AND
NOT HAVE ALL THE RUGS IN NOT HAVE ALL THE RUGS IN NOT HAVE ALL THE RUGS IN
THE NOT HAVE ALL THE RUGS IN
THE CORNER NOT HAVE ALL THE RUGS IN
THE CORNER ARE NOT HAVE ALL THE RUGS IN
THE CORNER ARE BUNCHED NOT HAVE ALL THE RUGS IN
THE CORNER ARE BUNCHED UP THE CORNER ARE BUNCHED UP THE CORNER ARE BUNCHED UP
UP.
UP. UP.
>>GUEST: UP.
>>GUEST: [LAUGHTER] >>GUEST: [LAUGHTER] >>GUEST: [LAUGHTER]
BECAUSE >>GUEST: [LAUGHTER]
BECAUSE THAT'S >>GUEST: [LAUGHTER]
BECAUSE THAT'S WHERE >>GUEST: [LAUGHTER]
BECAUSE THAT'S WHERE BEC BECAUSE THAT'S WHERE BEC BECAUSE THAT'S WHERE BEC
THEY BECAUSE THAT'S WHERE BEC
THEY END BECAUSE THAT'S WHERE BEC
THEY END UP! BECAUSE THAT'S WHERE BEC
THEY END UP! THAT'S BECAUSE THAT'S WHERE BEC
THEY END UP! THAT'S THEY THEY END UP! THAT'S THEY THEY END UP! THAT'S THEY
WHERE THEY END UP! THAT'S THEY
WHERE THEY THEY END UP! THAT'S THEY
WHERE THEY END THEY END UP! THAT'S THEY
WHERE THEY END UP. WHERE THEY END UP. WHERE THEY END UP.
[LAUGHTER] [LAUGHTER] [LAUGHTER]
>>CALLER: [LAUGHTER]
>>CALLER: YES, [LAUGHTER]
>>CALLER: YES, YES [LAUGHTER]
>>CALLER: YES, YES AND [LAUGHTER]
>>CALLER: YES, YES AND > >>CALLER: YES, YES AND > >>CALLER: YES, YES AND >
IF >>CALLER: YES, YES AND >
IF THE >>CALLER: YES, YES AND >
IF THE SAFETY >>CALLER: YES, YES AND >
IF THE SAFETY FACTOR, >>CALLER: YES, YES AND >
IF THE SAFETY FACTOR, IF IF THE SAFETY FACTOR, IF IF THE SAFETY FACTOR, IF
AND IF THE SAFETY FACTOR, IF
AND I IF THE SAFETY FACTOR, IF
AND I LOVE IF THE SAFETY FACTOR, IF
AND I LOVE IT.
IF THE SAFETY FACTOR, IF
AND I LOVE IT. IS IF THE SAFETY FACTOR, IF
AND I LOVE IT. IS EASY. AND I LOVE IT. IS EASY. AND I LOVE IT. IS EASY.
I AND I LOVE IT. IS EASY.
I CAN AND I LOVE IT. IS EASY.
I CAN MOVE AND I LOVE IT. IS EASY.
I CAN MOVE IT AND I LOVE IT. IS EASY.
I CAN MOVE IT AROUND I CAN MOVE IT AROUND I CAN MOVE IT AROUND
BECAUSE I CAN MOVE IT AROUND
BECAUSE I I CAN MOVE IT AROUND
BECAUSE I WANT I CAN MOVE IT AROUND
BECAUSE I WANT TO I CAN MOVE IT AROUND
BECAUSE I WANT TO CHANGE BECAUSE I WANT TO CHANGE BECAUSE I WANT TO CHANGE
THINGS BECAUSE I WANT TO CHANGE
THINGS AROUND, BECAUSE I WANT TO CHANGE
THINGS AROUND, SO BECAUSE I WANT TO CHANGE
THINGS AROUND, SO I BECAUSE I WANT TO CHANGE
THINGS AROUND, SO I CAN THINGS AROUND, SO I CAN THINGS AROUND, SO I CAN
MOVE THINGS AROUND, SO I CAN
MOVE IT THINGS AROUND, SO I CAN
MOVE IT AROUND, THINGS AROUND, SO I CAN
MOVE IT AROUND, SO THINGS AROUND, SO I CAN
MOVE IT AROUND, SO MOVE MOVE IT AROUND, SO MOVE MOVE IT AROUND, SO MOVE
THAT'S MOVE IT AROUND, SO MOVE
THAT'S GREAT.
MOVE IT AROUND, SO MOVE
THAT'S GREAT. >>HOST: MOVE IT AROUND, SO MOVE
THAT'S GREAT. >>HOST: IT THAT'S GREAT. >>HOST: IT THAT'S GREAT. >>HOST: IT
DOES THAT'S GREAT. >>HOST: IT
DOES NOT THAT'S GREAT. >>HOST: IT
DOES NOT HAVE THAT'S GREAT. >>HOST: IT
DOES NOT HAVE TO THAT'S GREAT. >>HOST: IT
DOES NOT HAVE TO STAY THAT'S GREAT. >>HOST: IT
DOES NOT HAVE TO STAY WE DOES NOT HAVE TO STAY WE DOES NOT HAVE TO STAY WE
YOU DOES NOT HAVE TO STAY WE
YOU PUT DOES NOT HAVE TO STAY WE
YOU PUT IT DOES NOT HAVE TO STAY WE
YOU PUT IT ORIGINALLY. YOU PUT IT ORIGINALLY. YOU PUT IT ORIGINALLY.
YOU YOU PUT IT ORIGINALLY.
YOU CAN YOU PUT IT ORIGINALLY.
YOU CAN MOVE YOU PUT IT ORIGINALLY.
YOU CAN MOVE IT YOU PUT IT ORIGINALLY.
YOU CAN MOVE IT WHEREVER YOU CAN MOVE IT WHEREVER YOU CAN MOVE IT WHEREVER
YOU YOU CAN MOVE IT WHEREVER
YOU WANT. YOU WANT. YOU WANT.
>>CALLER: YOU WANT.
>>CALLER: IT'S YOU WANT.
>>CALLER: IT'S NOT YOU WANT.
>>CALLER: IT'S NOT ALL >>CALLER: IT'S NOT ALL >>CALLER: IT'S NOT ALL
STICKY >>CALLER: IT'S NOT ALL
STICKY AT >>CALLER: IT'S NOT ALL
STICKY AT A >>CALLER: IT'S NOT ALL
STICKY AT A CANDIDATE.
STICKY AT A CANDIDATE. STICKY AT A CANDIDATE.
>>GUEST: STICKY AT A CANDIDATE.
>>GUEST: NOTHING STICKY AT A CANDIDATE.
>>GUEST: NOTHING AT STICKY AT A CANDIDATE.
>>GUEST: NOTHING AT ALL. >>GUEST: NOTHING AT ALL. >>GUEST: NOTHING AT ALL.
IT >>GUEST: NOTHING AT ALL.
IT IS >>GUEST: NOTHING AT ALL.
IT IS LIKE >>GUEST: NOTHING AT ALL.
IT IS LIKE BUYING >>GUEST: NOTHING AT ALL.
IT IS LIKE BUYING A >>GUEST: NOTHING AT ALL.
IT IS LIKE BUYING A RUG IT IS LIKE BUYING A RUG IT IS LIKE BUYING A RUG
WITH IT IS LIKE BUYING A RUG
WITH ACTUAL IT IS LIKE BUYING A RUG
WITH ACTUAL GRIP IT IS LIKE BUYING A RUG
WITH ACTUAL GRIP ON IT IS LIKE BUYING A RUG
WITH ACTUAL GRIP ON THE WITH ACTUAL GRIP ON THE WITH ACTUAL GRIP ON THE
BACK, WITH ACTUAL GRIP ON THE
BACK, THAT'S WITH ACTUAL GRIP ON THE
BACK, THAT'S ALL.
BACK, THAT'S ALL. BACK, THAT'S ALL.
[LAUGHTER] [LAUGHTER] [LAUGHTER]
>>CALLER: [LAUGHTER]
>>CALLER: ABSOLUTELY. >>CALLER: ABSOLUTELY. >>CALLER: ABSOLUTELY.
>>GUEST: >>CALLER: ABSOLUTELY.
>>GUEST: THANK >>CALLER: ABSOLUTELY.
>>GUEST: THANK YOU >>CALLER: ABSOLUTELY.
>>GUEST: THANK YOU SO >>GUEST: THANK YOU SO >>GUEST: THANK YOU SO
MUCH >>GUEST: THANK YOU SO
MUCH >>HOST: >>GUEST: THANK YOU SO
MUCH >>HOST: WE >>GUEST: THANK YOU SO
MUCH >>HOST: WE ARE MUCH >>HOST: WE ARE MUCH >>HOST: WE ARE
THRILLED MUCH >>HOST: WE ARE
THRILLED YOU MUCH >>HOST: WE ARE
THRILLED YOU LOVE MUCH >>HOST: WE ARE
THRILLED YOU LOVE IT. THRILLED YOU LOVE IT. THRILLED YOU LOVE IT.
>>GUEST: THRILLED YOU LOVE IT.
>>GUEST: BYE. THRILLED YOU LOVE IT.
>>GUEST: BYE. >>HOST: THRILLED YOU LOVE IT.
>>GUEST: BYE. >>HOST: I >>GUEST: BYE. >>HOST: I >>GUEST: BYE. >>HOST: I
WANT >>GUEST: BYE.
>>HOST: I
WANT YOU >>GUEST: BYE. >>HOST: I
WANT YOU TO >>GUEST: BYE. >>HOST: I
WANT YOU TO TRY >>GUEST: BYE. >>HOST: I
WANT YOU TO TRY IT. >>GUEST: BYE. >>HOST: I
WANT YOU TO TRY IT. IF WANT YOU TO TRY IT. IF WANT YOU TO TRY IT. IF
YOU WANT YOU TO TRY IT. IF
YOU DON'T WANT YOU TO TRY IT. IF
YOU DON'T LOVE WANT YOU TO TRY IT. IF
YOU DON'T LOVE IT, WANT YOU TO TRY IT. IF
YOU DON'T LOVE IT, YOU YOU DON'T LOVE IT, YOU YOU DON'T LOVE IT, YOU
CAN YOU DON'T LOVE IT, YOU
CAN RETURN YOU DON'T LOVE IT, YOU
CAN RETURN IT.
YOU DON'T LOVE IT, YOU
CAN RETURN IT. SPRAY YOU DON'T LOVE IT, YOU
CAN RETURN IT. SPRAY CAN CAN RETURN IT. SPRAY CAN CAN RETURN IT. SPRAY CAN
THIS CAN RETURN IT. SPRAY CAN
THIS ON. THIS ON. THIS ON.
>>GUEST: THIS ON.
>>GUEST: THAT THIS ON.
>>GUEST: THAT IS THIS ON.
>>GUEST: THAT IS IT, THIS ON.
>>GUEST: THAT IS IT, >>G >>GUEST: THAT IS IT, >>G >>GUEST: THAT IS IT, >>G
HOLD >>GUEST: THAT IS IT, >>G
HOLD IT >>GUEST: THAT IS IT, >>G
HOLD IT 8-10 >>GUEST: THAT IS IT, >>G
HOLD IT 8-10 INCHES, HOLD IT 8-10 INCHES, HOLD IT 8-10 INCHES,
COUPLE HOLD IT 8-10 INCHES,
COUPLE COATS. HOLD IT 8-10 INCHES,
COUPLE COATS. PULSE COUPLE COATS. PULSE COUPLE COATS. PULSE
ARTICLE COUPLE COATS.
PULSE
ARTICLE A COUPLE COATS. PULSE
ARTICLE A RUG, COUPLE COATS. PULSE
ARTICLE A RUG, RUNNER, ARTICLE A RUG, RUNNER, ARTICLE A RUG, RUNNER,
PEST. ARTICLE A RUG, RUNNER,
PEST. NO ARTICLE A RUG, RUNNER,
PEST. NO MORE ARTICLE A RUG, RUNNER,
PEST. NO MORE MOVING, ARTICLE A RUG, RUNNER,
PEST. NO MORE MOVING, NO PEST. NO MORE MOVING, NO PEST. NO MORE MOVING, NO
MORE PEST. NO MORE MOVING, NO
MORE CURLING, PEST. NO MORE MOVING, NO
MORE CURLING, NO PEST. NO MORE MOVING, NO
MORE CURLING, NO MORE MORE CURLING, NO MORE MORE CURLING, NO MORE
TRIPPING, MORE CURLING, NO MORE
TRIPPING, NO MORE CURLING, NO MORE
TRIPPING, NO MORE TRIPPING, NO MORE TRIPPING, NO MORE
SLIDING, TRIPPING, NO MORE
SLIDING, NO TRIPPING, NO MORE
SLIDING, NO WATER–MORE SLIDING, NO WATER–MORE SLIDING, NO WATER–MORE
RUG SLIDING, NO WATER–MORE
RUG SURFING. SLIDING, NO WATER–MORE
RUG SURFING. GIVES SLIDING, NO WATER–MORE
RUG SURFING. GIVES THE RUG SURFING.
GIVES THE RUG SURFING. GIVES THE
ULTIMATE RUG SURFING. GIVES THE
ULTIMATE PROTECTION. RUG SURFING. GIVES THE
ULTIMATE PROTECTION. IF ULTIMATE PROTECTION. IF ULTIMATE PROTECTION. IF
WE ULTIMATE PROTECTION. IF
WE HAVE ULTIMATE PROTECTION. IF
WE HAVE HARD ULTIMATE PROTECTION. IF
WE HAVE HARD FLOOR WE HAVE HARD FLOOR WE HAVE HARD FLOOR
SURFACES, WE HAVE HARD FLOOR
SURFACES, WE WE HAVE HARD FLOOR
SURFACES, WE ALSO WE HAVE HARD FLOOR
SURFACES, WE ALSO LOVE SURFACES, WE ALSO LOVE SURFACES, WE ALSO LOVE
RUGS. SURFACES, WE ALSO LOVE
RUGS. NO SURFACES, WE ALSO LOVE
RUGS. NO MORE SURFACES, WE ALSO LOVE
RUGS. NO MORE SPENDING SURFACES, WE ALSO LOVE
RUGS. NO MORE SPENDING A RUGS. NO MORE SPENDING A RUGS. NO MORE SPENDING A
TON RUGS. NO MORE SPENDING A
TON OF RUGS.
NO MORE SPENDING A
TON OF MONEY RUGS. NO MORE SPENDING A
TON OF MONEY ON RUGS. NO MORE SPENDING A
TON OF MONEY ON THE RUGS. NO MORE SPENDING A
TON OF MONEY ON THE BACK. TON OF MONEY ON THE BACK. TON OF MONEY ON THE BACK.
— TON OF MONEY ON THE BACK.
— >>HOST: TON OF MONEY ON THE BACK.
— >>HOST: I TON OF MONEY ON THE BACK.
— >>HOST: I MEAN TON OF MONEY ON THE BACK.
— >>HOST: I MEAN THIS, — >>HOST: I MEAN THIS, — >>HOST: I MEAN THIS,
THIS — >>HOST: I MEAN THIS,
THIS SELF — >>HOST: I MEAN THIS,
THIS SELF IT.
THIS SELF IT. THIS SELF IT.
>>GUEST: THIS SELF IT.
>>GUEST: THIS THIS SELF IT.
>>GUEST: THIS IS THIS SELF IT.
>>GUEST: THIS IS WHAT THIS SELF IT.
>>GUEST: THIS IS WHAT >> >>GUEST: THIS IS WHAT >> >>GUEST: THIS IS WHAT >>
YOU >>GUEST: THIS IS WHAT >>
YOU ARE >>GUEST: THIS IS WHAT >>
YOU ARE GOING >>GUEST: THIS IS WHAT >>
YOU ARE GOING TO >>GUEST: THIS IS WHAT >>
YOU ARE GOING TO GET, >>GUEST: THIS IS WHAT >>
YOU ARE GOING TO GET, YO YOU ARE GOING TO GET, YO YOU ARE GOING TO GET, YO
4-5 YOU ARE GOING TO GET, YO
4-5 HOURS YOU ARE GOING TO GET, YO
4-5 HOURS LATER.
4-5 HOURS LATER. 4-5 HOURS LATER.
>>HOST: 4-5 HOURS LATER.
>>HOST: RIGHT. >>HOST: RIGHT. >>HOST: RIGHT.
>>GUEST: >>HOST: RIGHT.
>>GUEST: AND >>HOST: RIGHT.
>>GUEST: AND THIS >>HOST: RIGHT.
>>GUEST: AND THIS ONE >>GUEST: AND THIS ONE >>GUEST: AND THIS ONE
HAS, >>GUEST: AND THIS ONE
HAS, THERE >>GUEST: AND THIS ONE
HAS, THERE IS >>GUEST: AND THIS ONE
HAS, THERE IS NO HAS, THERE IS NO HAS, THERE IS NO
TRICKIER. HAS, THERE IS NO
TRICKIER. CAN HAS, THERE IS NO
TRICKIER. CAN YOU HAS, THERE IS NO
TRICKIER. CAN YOU HOLD TRICKIER. CAN YOU HOLD TRICKIER. CAN YOU HOLD
THE TRICKIER. CAN YOU HOLD
THE FIRST TRICKIER.
CAN YOU HOLD
THE FIRST SECOND? TRICKIER. CAN YOU HOLD
THE FIRST SECOND? THERE THE FIRST SECOND? THERE THE FIRST SECOND? THERE
IS THE FIRST SECOND? THERE
IS NO THE FIRST SECOND? THERE
IS NO TRICKS.–SELLS. IS NO TRICKS.–SELLS. IS NO TRICKS.–SELLS.
LOOK IS NO TRICKS.–SELLS.
LOOK AT IS NO TRICKS.–SELLS.
LOOK AT THAT. IS NO TRICKS.–SELLS.
LOOK AT THAT. YOU IS NO TRICKS.–SELLS.
LOOK AT THAT. YOU PLACE LOOK AT THAT. YOU PLACE LOOK AT THAT.
YOU PLACE
IT, LOOK AT THAT. YOU PLACE
IT, IT LOOK AT THAT. YOU PLACE
IT, IT GRIPS, LOOK AT THAT. YOU PLACE
IT, IT GRIPS, AND LOOK AT THAT. YOU PLACE
IT, IT GRIPS, AND IT IT, IT GRIPS, AND IT IT, IT GRIPS, AND IT
HOLDS. IT, IT GRIPS, AND IT
HOLDS. THAT IT, IT GRIPS, AND IT
HOLDS. THAT IT. HOLDS. THAT IT. HOLDS. THAT IT.
>>HOST: HOLDS. THAT IT.
>>HOST: SO HOLDS. THAT IT.
>>HOST: SO GOOD. >>HOST: SO GOOD. >>HOST: SO GOOD.
>>GUEST: >>HOST: SO GOOD.
>>GUEST: BRILLIANT >>GUEST: BRILLIANT >>GUEST: BRILLIANT
PRODUCT.
>>GUEST: BRILLIANT
PRODUCT. THANK >>GUEST: BRILLIANT
PRODUCT. THANK YOU >>GUEST: BRILLIANT
PRODUCT. THANK YOU SO PRODUCT. THANK YOU SO PRODUCT. THANK YOU SO
MUCH PRODUCT. THANK YOU SO
MUCH >>HOST: PRODUCT. THANK YOU SO
MUCH >>HOST: THANK PRODUCT. THANK YOU SO
MUCH >>HOST: THANK YOU, MUCH >>HOST: THANK YOU, MUCH >>HOST: THANK YOU,
DARLING. MUCH >>HOST: THANK YOU,
DARLING. SO MUCH >>HOST: THANK YOU,
DARLING. SO THRILLED MUCH >>HOST: THANK YOU,
DARLING. SO THRILLED TO DARLING. SO THRILLED TO DARLING. SO THRILLED TO
LAUNCH DARLING. SO THRILLED TO
LAUNCH IT DARLING. SO THRILLED TO
LAUNCH IT WITH DARLING. SO THRILLED TO
LAUNCH IT WITH YOU DARLING. SO THRILLED TO
LAUNCH IT WITH YOU FOR LAUNCH IT WITH YOU FOR LAUNCH IT WITH YOU FOR
THE LAUNCH IT WITH YOU FOR
THE FIRST LAUNCH IT WITH YOU FOR
THE FIRST TIME.
LAUNCH IT WITH YOU FOR
THE FIRST TIME. WE LAUNCH IT WITH YOU FOR
THE FIRST TIME. WE DO LAUNCH IT WITH YOU FOR
THE FIRST TIME. WE DO TH THE FIRST TIME. WE DO TH THE FIRST TIME. WE DO TH
SEE THE FIRST TIME. WE DO TH
SEE YOU THE FIRST TIME. WE DO TH
SEE YOU THERE. THE FIRST TIME. WE DO TH
SEE YOU THERE. FINAL SEE YOU THERE. FINAL SEE YOU THERE. FINAL
QUANTITIES SEE YOU THERE. FINAL
QUANTITIES AVAILABLE SEE YOU THERE. FINAL
QUANTITIES AVAILABLE TO QUANTITIES AVAILABLE TO QUANTITIES AVAILABLE TO
WANT QUANTITIES AVAILABLE TO
WANT TO QUANTITIES AVAILABLE TO
WANT TO THANK QUANTITIES AVAILABLE TO
WANT TO THANK AMAZING WANT TO THANK AMAZING WANT TO THANK AMAZING
JANE WANT TO THANK AMAZING
JANE IF WANT TO THANK AMAZING
JANE IF SHE'S WANT TO THANK AMAZING
JANE IF SHE'S WATCHING. JANE IF SHE'S WATCHING. JANE IF SHE'S WATCHING.
JANE JANE IF SHE'S WATCHING.
JANE WAS JANE IF SHE'S WATCHING.
JANE WAS ABLE JANE IF SHE'S WATCHING.
JANE WAS ABLE TO JANE IF SHE'S WATCHING.
JANE WAS ABLE TO SECURE JANE WAS ABLE TO SECURE JANE WAS ABLE TO SECURE
A JANE WAS ABLE TO SECURE
A PRICE JANE WAS ABLE TO SECURE
A PRICE BREAK JANE WAS ABLE TO SECURE
A PRICE BREAK FOR JANE WAS ABLE TO SECURE
A PRICE BREAK FOR US JANE WAS ABLE TO SECURE
A PRICE BREAK FOR US AS A PRICE BREAK FOR US AS A PRICE BREAK FOR US AS
WELL A PRICE BREAK FOR US AS
WELL TO A PRICE BREAK FOR US AS
WELL TO GET A PRICE BREAK FOR US AS
WELL TO GET YOU A PRICE BREAK FOR US AS
WELL TO GET YOU THE A PRICE BREAK FOR US AS
WELL TO GET YOU THE BEST WELL TO GET YOU THE BEST WELL TO GET YOU THE BEST
PRICE WELL TO GET YOU THE BEST
PRICE.
WELL TO GET YOU THE BEST
PRICE. REMEMBER, WELL TO GET YOU THE BEST
PRICE. REMEMBER, THIS WELL TO GET YOU THE BEST
PRICE. REMEMBER, THIS IS PRICE. REMEMBER, THIS IS PRICE. REMEMBER, THIS IS
NOT PRICE. REMEMBER, THIS IS
NOT THE PRICE. REMEMBER, THIS IS
NOT THE NORMAL PRICE. REMEMBER, THIS IS
NOT THE NORMAL LIQUID NOT THE NORMAL LIQUID NOT THE NORMAL LIQUID
HOLD NOT THE NORMAL LIQUID
HOLD IN NOT THE NORMAL LIQUID
HOLD IN THE NOT THE NORMAL LIQUID
HOLD IN THE MARKET. NOT THE NORMAL LIQUID
HOLD IN THE MARKET. THIS HOLD IN THE MARKET.
THIS HOLD IN THE MARKET. THIS
IS HOLD IN THE MARKET. THIS
IS THE HOLD IN THE MARKET. THIS
IS THE JUMBO HOLD IN THE MARKET. THIS
IS THE JUMBO SIZE, HOLD IN THE MARKET. THIS
IS THE JUMBO SIZE, THE HOLD IN THE MARKET. THIS
IS THE JUMBO SIZE, THE 2 IS THE JUMBO SIZE, THE 2 IS THE JUMBO SIZE, THE 2
IS IS THE JUMBO SIZE, THE 2
IS THE IS THE JUMBO SIZE, THE 2
IS THE JUMBO IS THE JUMBO SIZE, THE 2
IS THE JUMBO SIZE, IS THE JUMBO SIZE, THE 2
IS THE JUMBO SIZE, THE IS THE JUMBO SIZE, THE 2
IS THE JUMBO SIZE, THE 2 IS THE JUMBO SIZE, THE 2 IS THE JUMBO SIZE, THE 2
BOTTLE IS THE JUMBO SIZE, THE 2
BOTTLE JUMBO IS THE JUMBO SIZE, THE 2
BOTTLE JUMBO SIZES IS THE JUMBO SIZE, THE 2
BOTTLE JUMBO SIZES FREE BOTTLE JUMBO SIZES FREE BOTTLE JUMBO SIZES FREE
SHIPPING BOTTLE JUMBO SIZES FREE
SHIPPING AND BOTTLE JUMBO SIZES FREE
SHIPPING AND HANDLING SHIPPING AND HANDLING SHIPPING AND HANDLING
EDWIN SHIPPING AND HANDLING
EDWIN 2 SHIPPING AND HANDLING
EDWIN 2 FLEXPAY.
SHIPPING AND HANDLING
EDWIN 2 FLEXPAY. IF SHIPPING AND HANDLING
EDWIN 2 FLEXPAY. IF YOU EDWIN 2 FLEXPAY. IF YOU EDWIN 2 FLEXPAY. IF YOU
DON'T EDWIN 2 FLEXPAY. IF YOU
DON'T LOVE EDWIN 2 FLEXPAY. IF YOU
DON'T LOVE IT EDWIN 2 FLEXPAY. IF YOU
DON'T LOVE IT COME EDWIN 2 FLEXPAY. IF YOU
DON'T LOVE IT COME YOU DON'T LOVE IT COME YOU DON'T LOVE IT COME YOU
RETURN DON'T LOVE IT COME YOU
RETURN IT.–AND DON'T LOVE IT COME YOU
RETURN IT.–AND WITH. RETURN IT.–AND WITH. RETURN IT.–AND WITH.
WHERE RETURN IT.–AND WITH.
WHERE MOVING RETURN IT.–AND WITH.
WHERE MOVING ALONG. RETURN IT.–AND WITH.
WHERE MOVING ALONG. IF WHERE MOVING ALONG. IF WHERE MOVING ALONG. IF
YOU'RE WHERE MOVING ALONG. IF
YOU'RE JUST WHERE MOVING ALONG. IF
YOU'RE JUST JOINING WHERE MOVING ALONG. IF
YOU'RE JUST JOINING US YOU'RE JUST JOINING US YOU'RE JUST JOINING US
LATE, YOU'RE JUST JOINING US
LATE, YOU YOU'RE JUST JOINING US
LATE, YOU CAN YOU'RE JUST JOINING US
LATE, YOU CAN SEE YOU'RE JUST JOINING US
LATE, YOU CAN SEE ALL YOU'RE JUST JOINING US
LATE, YOU CAN SEE ALL LA LATE, YOU CAN SEE ALL LA LATE, YOU CAN SEE ALL LA
THE LATE, YOU CAN SEE ALL LA
THE ITEMS LATE, YOU CAN SEE ALL LA
THE ITEMS WE LATE, YOU CAN SEE ALL LA
THE ITEMS WE ARE LATE, YOU CAN SEE ALL LA
THE ITEMS WE ARE AIRING THE ITEMS WE ARE AIRING THE ITEMS WE ARE AIRING
RIGHT THE ITEMS WE ARE AIRING
RIGHT NOW THE ITEMS WE ARE AIRING
RIGHT NOW ON THE ITEMS WE ARE AIRING
RIGHT NOW ON HSN.COM.
THE ITEMS WE ARE AIRING
RIGHT NOW ON HSN.COM. IT RIGHT NOW ON HSN.COM. IT RIGHT NOW ON HSN.COM. IT
IS RIGHT NOW ON HSN.COM. IT
IS AN RIGHT NOW ON HSN.COM. IT
IS AN ECLECTIC RIGHT NOW ON HSN.COM. IT
IS AN ECLECTIC SHOW IS AN ECLECTIC SHOW IS AN ECLECTIC SHOW
TONIGHT. IS AN ECLECTIC SHOW
TONIGHT. WE IS AN ECLECTIC SHOW
TONIGHT. WE HAVE IS AN ECLECTIC SHOW
TONIGHT. WE HAVE A IS AN ECLECTIC SHOW
TONIGHT. WE HAVE A TONIG TONIGHT. WE HAVE A TONIG TONIGHT. WE HAVE A TONIG
LITTLE TONIGHT. WE HAVE A TONIG
LITTLE BIT TONIGHT. WE HAVE A TONIG
LITTLE BIT OF TONIGHT. WE HAVE A TONIG
LITTLE BIT OF LITTLE TONIGHT. WE HAVE A TONIG
LITTLE BIT OF LITTLE BIT LITTLE BIT OF LITTLE BIT.
♪♪♪ ♪ A BROKEN HEART IS ALL
THAT’S LEFT ♪ ♪ I’M STILL FIXING ALL
THE CRACKS ♪ ♪ LOST A COUPLE OF PIECES WHEN ♪ ♪ I CARRIED IT CARRIED IT
CARRIED IT HOME ♪ ♪ I’M AFRAID OF ALL I AM ♪ ♪ MY MIND FEELS LIKE A
FOREIGN LAND ♪ ♪ SILENCE RINGING INSIDE
MY HEAD ♪ ♪ PLEASE CARRY ME CARRY ME
CARRY ME HOME ♪ ♪ I’VE SPENT ALL OF THE LOVE
I SAVED ♪ ♪ WE WERE ALWAYS A LOSING GAME ♪ ♪ SMALL TOWN BOY IN
A BIG ARCADE ♪ ♪ I GOT ADDICTED TO
A LOSING GAME ♪ ♪ OH, OH OH OH ♪ ♪ OH OH OH OH OH ♪ ♪ ALL I KNOW, ALL I KNOW ♪ ♪ LOVING YOU IS A LOSING GAME ♪ ♪ HOW MANY PENNIES IN THE SLOT ♪ ♪ GIVING US UP DIDN’T
TAKE A LOT ♪ ♪ I SAW THE END ‘FOR IT BEGUN ♪ ♪ BUT STILL I CARRIED I CARRIED,
I CARRY ON ♪ ♪ OH, OH OH OH ♪ ♪ OH OH OH OH OH ♪ ♪ ALL I KNOW, ALL I KNOW ♪ ♪ LOVING YOU IS A LOSING GAME ♪ ♪ OH, OH OH OH ♪ ♪ OH OH OH OH OH ♪ ♪ ALL I KNOW, ALL I KNOW ♪ ♪ LOVING YOU IS A LOSING GAME ♪ ♪ I DON’T NEED YOUR GAMES,
GAME OVER ♪ ♪ GET ME OFF THIS
ROLLERCOASTER ♪ ♪ OH, OH OH OH ♪ ♪ OH OH OH OH OH ♪ ♪ ALL I KNOW, ALL I KNOW ♪ ♪ OH, OH OH OH ♪ ♪ OH OH OH OH OH ♪ ♪ ALL I KNOW, ALL I KNOW ♪ ♪ LOVING YOU IS A LOSING GAME ♪ ♪ OH, OH OH OH ♪ ♪ OH, OH OH OH ♪
When it comes to enhancing the aesthetics and functionality of a space, flooring is a critical consideration. Whether you’re designing a cozy living room, a high-traffic office, or a luxurious hotel lobby, selecting the right flooring solution can make all the difference. This guide will delve into the advantages and disadvantages of carpets, tiles, and rugs, providing actionable tips and insights to help you make an informed decision.
Carpet: Cozy Comfort with Versatile Options
Carpet offers a comfortable, warm feel underfoot and can significantly enhance the coziness of a room. It’s an excellent choice for areas where sound insulation and warmth are priorities, such as bedrooms and living rooms.
Tiles: Durable and Stylish for High-Traffic Areas
Tiles are a robust and stylish option, perfect for high-traffic areas like kitchens and bathrooms. They are available in a variety of materials, including ceramic, porcelain, and natural stone, each offering unique benefits.
Rugs: Adding Texture and Warmth with Flexibility
Rugs can be used to add texture, warmth, and color to a room without the commitment of permanent flooring. They are especially useful in rented spaces or for those who enjoy frequently changing their interior decor.
Assessing Your Specific Flooring Needs
When choosing flooring, consider factors such as durability, maintenance, and budget. Evaluate the specific needs of your space, including the level of foot traffic, exposure to moisture, and desired aesthetic.
Durability and Maintenance
Choose flooring that aligns with the durability requirements of your space. For example, tiles are ideal for high-traffic areas due to their resilience, while carpets may suit quieter, low-traffic zones.
Budget Considerations
Budget is a significant factor in flooring selection. While tiles may have a higher upfront cost, their longevity can offer better value over time. Carpets and rugs, however, can be more affordable initially but may require more frequent replacement.
Matching Flooring with Interior Design Styles
Consider the interior design style of your space when selecting flooring. Neutral-toned carpets can complement a minimalist aesthetic, while vibrant rugs can add a pop of color in eclectic designs. Tiles with natural stone finishes can enhance rustic or modern industrial styles.
Enhancing Aesthetics with Color and Texture
Color and texture play vital roles in the overall look of a room. Lighter colors can make small spaces appear larger, while darker hues add warmth and coziness. Texture adds depth and interest, whether through a plush carpet or a textured rug.
Case Studies: Successful Flooring Implementations
Consider these examples of successful flooring choices:
Step-by-Step Process for Selecting and Installing Flooring
Follow these steps for a successful flooring project:
Assess the needs and usage of the space.
Set a realistic budget for materials and installation.
Select flooring options that align with your design style and functional requirements.
Consult with professionals for installation and maintenance advice.
Regularly maintain and clean your flooring to preserve its appearance and durability.
By considering these factors and following our guide, you’ll be well-equipped to choose the right flooring solution that meets your unique needs, enhances your space, and provides lasting satisfaction.
Shores ARE THANKING PATRONS FOR ALL THEIR GENEROSITY, EVEN IF IT MEANT SOME HARD WORK FOR THE STAFF THEY FOUND AND COUNTED 8 563 DOLLARS IN COINS INSIDE THE FACILITY.’S WATERFALL FOUNTAIN. The AQUARIUM IS CLOSED.
Due TO THE PANDEMIC, SO EMPLOYEES DECIDED TO CLEAN THE FOUNTAIN.
They SPEND HOURS PICKING UP COINS, THEN PUTTING THEM THROUGH A COUNTER AT AN AREA BANK.
This IS THE FIRST TIME IN ALMOST 15 YEARS.
The SMOKY MOUNTAIN WATERFALL AT THE AQUARIUM IS CLEAR OF COINS.
The MONEY WILL BE USED TO TAKE CARE OF ITS ANIMALS COMING UP TONIGHT IN SPORTS.
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can elevate the room’s style quotient.
